The first track I had heard by Antidote was "Debris," which I found on the N-Soul sampler I picked up at Cornerstone for a few bucks. The song stood out among the others on account of its eerie electronics that reminded me of a dark Joy Electric song with the scratches and vocals similar to Portishead. A trip-hop beat added to the mixture led me to purchase the album hoping the rest of the tracks were equally pleasing.
I was somewhat disappointed in the fact that Leigh's voice only appears on 3 of the tracks and equally disappointed when she did not sing during the live set in the dance tent at Cornerstone. However, the album is worth buying and dancing to, or just chilling out with a graceful meditation as you listen to Jorge's creative beats covered in futuristic sounds.
Songs such as "God is Good" and "One Track Mind" bring dance house music to your ears, with "One Track Mind" teetering on the verge of techno and even adding trance to the album. Electronic praise songs are what Antidote gives to a growing Christian dance scene. Although they are praising, they keep a certain psychotic, spooked-out feel to the music ("Protected," "Deprogram"). "Everywhere I Go" finds Leigh's voice once again catching the feel of Portishead's Beth Gibbons as she sings in a haunting tone, but switches it to a more angelic feel in "Decrease." Her vocals are a compliment to Jorge's sounds and hopefully, they'll be more prevalent on Antidote's future releases.
Other coverage for this album
The Phantom Tollbooth 1999Reviewed by Justin W. JonesWhat God has joined together, let no man put asunder. This includes the husband and wife duo, that make up Antidote. Jorge and Leigh Goyco are from Austin Texas, and their one mission is to witness through music covering many dance scene genres, ranging from house music and drum and bass/jungle, to trip-hop, and a touch of trance. Whereas most Christian techno artists leave such things up to the…Similar sounding releases
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