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    The Phantom Tollbooth 1997/Audio Adrenaline
    Audio Adrenaline — Some Kind Of Zombie cover

    Audio Adrenaline

    Some Kind Of Zombie

    (1997)

    Reviewed by Mark J. Aylor

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    Label ForeFront RecordsThe Phantom Tollbooth1997
    alternative rockccmpop rock

    The boys from Audio Adrenaline are back to serve up their fifth album, the follow-up to Bloom. The same lineup returns, along with a little guitar help from Tyler Burkum in filling out the sound. Some Kind of Zombie, however, seems to be a case of should have been--it should have been great, but it wasn't. This was a bit of a disappointment for me.

    Technically, Some Kind of Zombie is as good as Bloom. Audio A continues into the mainstream alternative sound they journeyed into last time. Unfortunately, there's nothing new or groundbreaking done on SKOZ. The production is as one has come to expect from ForeFront and Ardent Records -- crisp, professional, and flawless. Unfortunately, it just doesn't raise the music that last notch and take it over the top to excellent. It makes me wonder how much of a hand executive producer Eddie DeGarmo had in the production. Musically, the boys still know how to put together a professional sound. The music just isn't 'stop me in my tracks' good like Bloom. My enjoyment of the last release could be attributed to the style change alone, but none of the songs here stick in my head like those from Bloom did. I was expecting Audio A to continue the progression they've shown with each new album, but they seemed to take a step back here. SKOZ seems old and stale, center of the road, mere pabulum for the benumbed CCM listener.

    The vague vocal flavoring of Audio Adrenaline's hip-hop past is still there on "Blitz," which the Supertones' Superhorn section helps out on, but otherwise this is a continuation of their journey into the mainstream market. The percussion and bass construct a solid platform for the music to build on. The complete sound is a little more retro, with fuzzy but not quite noisy guitars and simple straightforward rhythms. This is most prominent on the Beatle-esque "God-Shaped Hole," and the 70's-ish tunes "Chevette," "Flicker," and "Superfriend" (the latter complete with fuzzy vocals and an end fade-out by a guitar plugged into an old style tube amplifier). I guess that since the 70's sound is making such a big comeback right now, Audio A is attempting to tie their popularity to the trend and cash in on it. Even in the liner notes the dress of the band and the photography is a 70's style.

    The boys have not compromised their values and ideals. The lyrics are as convicting and Christ-filled as on Bloom, but a little more mature and subtle. They are still about preaching the gospel in their own unique way. They use some good allegory on the title track and here on "Lighthouse":

    Legs and Arms are burning
    Swim against the tide
    Keep an eye above the water
    So I can see the light
    I'm a man overboard
    I dream about the Savior
    I dream about the shore

    I feel the sand
    You take my hand
    And we walk forevermore
    I'm a man overboard
    I'm a man overboard

    If it wasn't for the lighthouse
    Where would my life be
    On a ship bound for nowhere
    On an unforgiving sea
    I thank God for the lighthouse
    I thank God for the light

    It still won't take you too long to find the meaning behind the lyrics, but Mark Stewart's delivery breathes life into the simple words, and gives them the energy they need to carry the message.

    The album has a hidden eleventh track -- a "Criscoteque" remix of "Some Kind of Zombie." I like the remix better, with the exception of the vocals. The original version is too up and down and just doesn't flow well. It starts out solid and rocks during the bridges and choruses, but the verses are weak from Jars of Clay-sounding prerecorded drums surrounded by ethereal orchestration. The remix is more straightforward and flows better, but the vocals don't come through as well thanks to the added fuzz.

    This is really a mixed bag. For big Adrenaline fans and those really blown away by Bloom, this is a must have. Otherwise, it's good but nothing to raise the dead.

    3 tocks

    Other coverage for this album

    The Rebel Base 2002Reviewed by Josh HurstMy tastes in music have fluctuated quite a bit as I've grown older, so, naturally, some of the records that I was fond of a few years ago just don't connect with me much anymore. Still, it's fun to occasionally pull out some of those old, sentimental favorites, and to relive some of my favorite music moments from my younger days. Audio Adrenaline, unfortunately, is one of those bands that just…The Lighthouse Unsorted 1998Reviewed by Alan SeegerAudio Adrenaline opens their latest release, Some Kind Of Zombie, with a deceptively martial-sounding snare drum cadence and almost acoustic-sounding guitar strum, so that unwary listeners might almost believe that they are about to hear a slightly more upbeat cover of a militant praise & worship number such as "Above All Else" or "Mighty Warrior." Then, at the critical moment when the listener's…The Phantom Tollbooth 1997Reviewed by Josh SpencerThere are two directions I could go in reviewing this album. I could totally trash it as the annoyingly-overproduced, Christianese-filled, pre-packaged "safe" youth group rock that it is, and congratulate myself on my more sophisticated musical tastes. Or I could acknowledge the growth this band has undergone, their love for the Lord, and, well, the way this album finds itself in my stereo over…The Phantom Tollbooth 1997Reviewed by Cathy CourtwrightWow! It had been so long since I heard from Audio Adrenaline that I forgot how great they sounded. This time, they've done what several other bands have done recently--borrow a bit from sounds of the past. The way they put it all together was quite nice. As I listened to the project, I couldn't help but hear echoes from bands I listened to while growing up in the late 70s and 80s. Their boldness…

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