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    The Phantom Tollbooth 1999/Between Thieves
    Between Thieves — Water cover

    Between Thieves

    Water

    (1998)

    Reviewed by James Stewart

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    Label Tattoo RecordsThe Phantom Tollbooth1999
    alternative rockjangle popmodern rockpop rock

    The past year has seen the release of sophomore projects from many bands who were involved in the wave of Christian "alternative" projects a couple of years ago. A number of those bands have started to push the boundaries a little more now that the initial wave of enthusiasm for their previous brand of pop-rock has worn off, and Between Thieves are no different on their second release, Water. Unfortunately it takes them quite a few tracks to get there, it's not until the seventh track that we begin to see something new.

    "When Gabriel Cried" is a restrained, atmospheric piece that bears the hallmarks of producer Steve Hindalong and engineer Derri Daugherty (collectively The Choir). This instrumental track subtly utilizes prolonged, slightly muffled cymbals which build up atmosphere in an unusual way, and a prominent fluid bass. Regrettably the track lasts little more than two minutes and then the band goes right back to jangly guitars.

    While the instrumental track is the most interesting offering here, the lyrical imagery is also of a consistently high quality. "Living God" and "Alive" both provide excellent examples of the band's ability to fashion messages of faith and encouragement into commendable lyrics:

    Unselfish, unyielding grace
    That covers my fate
    A child in helpless trial
    Your spirit falls, You carry me on
    I love, I serve
    I praise the Living
    ("Living God")

    Flying on way too close to the sun
    On paraffin wings and a prayer
    I've pushed the limit, now I've gone too far
    I've gone further than most would dare
    ("Alive")

    Nevertheless, the attention to lyrics is not matched by the music, resulting in the album's downfall. Otherwise competent, jangly, driving pop-rock, Water needs something more to stand out in the changing field of popular music.

    3 tocks

    Other coverage for this album

    HM Magazine #74Reviewed by Brian Vincent McGovernSteve Hindalong's top-notch production does its job, which is providing an environment to appropriately and accurately showcase the band's live sound onto a recording. Each tone seems carefully thought out, while the actual playing is beautifully rigorous artistry. Jason Wesson's vocal abilities have seasoned since last time, and the BGV's couldn't be cleaner. Included among thought-inspiring pop…

    Also in The Phantom Tollbooth 1999

    1998TourniquetAcoustic Archives2000Various ArtistsPeople Get Ready1999Various ArtistsIsaiah 53:5 (A Tribute To Stryper)1999Various ArtistsLowercase Records Compilation #2 - Musicians With Day Jobs1999Various ArtistsSpring Harvest Praise Mix 19991999Various ArtistsTooth & Nail Rock Sampler Volume 2