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    HM Magazine #74/Bride
    Bride — Oddities cover

    Bride

    Oddities

    (1998)

    Reviewed by Doug Van Pelt

    DiscogsApple MusicTIDALSpotify
    Label Organic RecordsHM Magazine #74November 1998
    alternative metalgrungehard rockheavy metal

    Some albums hit you over the head, strike you down, and take you prisoner, super-glueing the cd or tape inside your player. This album, though, is an oddity. It's not the "return to Snakes in the Playground," sound that always seems to be the pre-release rumor about this band. My first impressions lingered more around the Drop sound real heavy, down-tuned guitars and hooks a la Soundgarden. There's not the grooves as high as a tsunami sounds that took this band to the second phase of their sound (a la "Would You Die For Me?"). The more familiar I became with these songs, however, the more I saw and felt the low end that the band pulled out in songs like "Murder," for example. There's a little bouncing around, tempo-wise, like the almost-jangly "I Ain't Coming Down," followed by the plodding ballad "Only When I'm Left Alone." The musicianship is stellar. The bass playing shreds in "Tomorrow Makes No Sense," and the band almost gets jazzy in "Spirit." This majestic tune sweeps the listener along with great accenting and subtle guitar fills atop a tight rhythm section that ebbs for awhile only to burst open in moments of all out passion from Dale. It's dynamic in a way that captures much of this band's strength. Lyrically, the always proficient lead vocalist has cranked out another notebook full of thoughtful poetry. In "Under The Blood," we hear Dale lament that, "We find ourselves running out of human breath..." We hear several emotions, like the joy of, "No greater feeling than the freedom to fly" in the song "I Ain't Coming Down," juxtaposed by the disappointment in "I Found God," which states: "I want peace in my life / but there's always a sword." There even seems to be some anger in "Die A Little Bit," where he describes someone venting: "Now you spit your words out just to see / where they splatter up on me." The words are definitely on a different plane than the surface-level, making for some wonder-filled exploring for the listener. Overall, it's an album that takes time to learn and love. Upon fist listen, most of us in the office here were unimpressed and left waiting for a hit to jump out at us. Now that it's been played several times, I've discovered a very good album that I'll want to keep listening to.

    Other coverage for this album

    The Phantom Tollbooth 1998Reviewed by Tony LaFianzaRight up front on Oddities, an emcee declares, "Under the big top - it's Bride!" This latest release from the hard-music heroes Bride continues on the path laid by such records as Drop and Scarecrow Messiah, with just a squirt of Live to Die on top. But on Oddities, which was produced by Dino and John Elefante, Bride's speed metal history rears its head just a few times, mostly from Dale…

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    More from Bride

    1988Live to Die1994Scarecrow Messiah1992Snakes in the Playground1994Across The Border2001Fist Full of Bees2003This is It

    Also in HM Magazine #74

    1998MukalaFictionHangnailHangnail '981998Gathering of SoulsNeither Moth Nor Rust Corrupts1998ElementKids These Days1998HuntingtonsAll the Stuff (And More) Vol. 11998TellusOn The Surface