
Since the release of their second album, Nu Thang, in 1990, dc Talk has continuously and consistently reinvented themselves with each subsequent project. The threesome threw both fans and industry insiders for a loop when "that Christian rap group" released Jesus Freak in 1995 with nothing more than vestigial rap influences evident on the recording.
With Supernatural, perhaps the most anticipated Christian project ever, dc Talk again morphs into something new. Although not as drastic a change as in 1995, the most significant point seems to scream out at the seasoned dc Talk listener - there is no rapping on Supernatural.
The group that once wrote and recorded "I Luv Rap Music" has left their roots behind in order to move forward into even more undiscovered territory. Indeed Supernatural, while along the same lines as Jesus Freak, pushes the group's songwriting to new heights, often surprising the listener with unexpected chords and instrumentalization. Toby McKeehan, Kevin Max and Michael Tait have honed their harmonies as well, often melding so smoothly that it seems as if they are expending no effort whatsoever in performing their craft. The vocals are laid down in layer after layer of intriguing arrangements, and many of the songs morph and blend into each other, making Supernatural, the first project written by all three dc Talkers together, much more of a concept album than any of their other projects.
With the success of Jesus Freak, dc Talk seems to have discovered their sound, musically. Supernatural is literally teeming with raunchy guitars and lead guitar solos interweaving throughout much of the project. There's no other way to put it: Supernatural rocks! However, in the mix of these rockers, there are hints of other influences as well.
"Godsend," a love song about how spouses are sent by God, sounds like a strange melding of Seal and Kool and the Gang. The first general market single, "My Friend So Long," a humorous look at artists who sell out their faith, sounds like it might be performed by The Beach Boys on steroids, and "Wanna Be Loved" is a funky, soulful sixties groove that sounds like The Artist formerly known as Prince singing a high-speed Stevie Wonder tune.
Despite the fact that Supernatural is the first new release since the group signed their joint deal with ForeFront and Virgin (which includes a large general market distribution deal), the Christ-centered message that really remains the unchanging aspect of the group is still intact as evidenced in such songs as "Consume Me," "Into Jesus" (the first single to the Christian market), the title track and "Red Letters." The album highlight is probably "Since I Met You," which is a driving testament to the presence of Jesus in their lives. The song is both humorous and heartfelt at the same time and a fine example of the musical diversity on Supernatural.
Kevin Max's poetry is highlighted at the end of this project as well. An abstract recital with a surreal musical accompaniment, it bookends the project nicely with a similar sounding, although shorter, introduction at the beginning. There are other production-oriented surprises as well which really have to be heard to be appreciated.
With the driving guitars and the usual upbeat rhythm section, Supernatural, produced (as was Jesus Freak) by McKeehan and Mark Heimermann, is definitely more closely related to Jesus Freak than any of their other projects. Although longtime fans of dc Talk's rap-oriented music may very well be disappointed, the larger number of fans who have recently come onboard the dc Talk bandwagon with Jesus Freak and the live album and video, Welcome To The Freak Show, will not have any reason to gripe. If anything, Supernatural is even more of a masterpiece than Jesus Freak is. It really is a logical progression.
dc Talk is going to have to have a hard time topping Supernatural next time - then again, that's what we said three years ago with the release of Jesus Freak, wasn't it?
Other coverage for this album
Exit Zine 1999Reviewed by Laura DawkinsIt's growing on me. If you're even going to claim to be a hard-core, Jesus Freak, Tobymikeandkevin fan, you just can't pop their new CD in your player and expect the spinning to produce even close to the same sounds as it did with their last album. This talented trio has changed drastically with each release. Don't believe me? Check out "I Luv Rap Music" on Nu Thang. Although this ability to…
HM Magazine #74Reviewed by Brian Vincent McGovernThe cool thing about this band is that each record has significant differences from the previous discography. Some fans gladly moshed when Jesus Freak came out, learning every word to every song; others stood in the corner with arms folded, muttering "Sellouts" under their breath; still others, like me, for instance, enjoyed the new music, realizing that Toby, Mike, & Kevin know their own hearts…
ReAL Magazine 1998Reviewed by Josh L!Supernatural is dc Talks' fifth release. Of the fourteen tracks, twelve are what most would call regular rock songs, while the first and last tracks create an incredible bookend effect. If you're not a lyric-reader, or if you buy albums for background music, the album's diversity may yield little glue to hold it together. I encourage you to drop the bad habit of never studying the meaning behind…
The Phantom Tollbooth 1998Reviewed by James StewartYet another history making record for DC Talk, Supernatural entered the Billboard top 200 at number 4. Given their previous success, this was perhaps inevitable. It is sure to be a big seller for a while to come in the Christian music marketplace; maybe beyond. Unfortunately, the album follows something of a tested and tried formula: slightly more restrained than the title track of Jesus Freak,…
The Phantom Tollbooth 1998Reviewed by Joe RockstrohWhat is quite possibly the most hyped and anticipated album of 1998 is out. Does it deliver? I have to say "Yes." I've been following dc Talk for a long time, having purchased every album in succession of release. Stylistically, each record has been a deviation, however dramatic, from the previous one: from Beastie Boys hip hop, to Fresh Prince style rap, to a more refined urban hip hop, to the…
The Phantom Tollbooth 1998Reviewed by Steven S. BaldwinAn album as consistently strong, accessible, and fun as Jesus Freak comes along so rarely that it is not fair to expect dc Talk to follow it up with an album that exceeds such high fans' expectations. Nevertheless, they have very nearly accomplished that task with Supernatural, an album that is considerable in its own right. Supernatural is to Seal's second self-titled album of "Kiss from a Rose"…Similar sounding releases
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1998WilshireWilshire
1997PFRThe Late Great PFR
2000The JayhawksSmile
2000Luna HaloShimmer
2001Mick JaggerGoddess in the DoorwayMore from DC Talk
1994Narrow is the Road (Video)
2000Intermission
1997Welcome to the Freak Show
1994Free At Last Extended Play Remixes
1989DC Talk
2001Solo




