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    The Phantom Tollbooth 1997/Dear Ephesus
    Dear Ephesus — The Consolation of Pianissimo cover

    Dear Ephesus

    The Consolation of Pianissimo

    (1997)

    Reviewed by James Stewart

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    Label Bulletproof MusicThe Phantom Tollbooth1997
    emoindie rockpost-hardcore

    We don't have many bands like this in the UK. Alternative rock here is still suffering under the weight of brit-pop and brit-rock sounds, and for anything more "alternative" you have to turn to the upsurge of metal bands in the underground. With this album we get passionate vocals, interesting guitar lines, and lots of distortion -- I'm told they call it emo.

    Lyrically and musically this album has a dark feel, but struggles are accompanied by hope ("all the while there's a symphony on the music box/ as I sit behind the keys of my player piano I cry/and in a while face a man behind a child/and suddenly it hits me you're with me/I care" from "Player Piano"). I can't make up my mind as to which track is my favourite, but "The Flight of Peter Pan" sticks with me for its many meanings hidden within (J. M. Barrie fans might take exception of course), and I enjoyed the more laidback but still passionate "Player Piano" (quoted above).

    For me, this album was a refreshing change, and I look forward to hearing more from the band.

    3 tocks

    Other coverage for this album

    Puddlegum 1998Reviewed by Kevin FlickIt would probably be difficult to capture Dear Ephesus' sound in the studio. The reason being that this band draws immensley from emotions. It's obvious that they play what they feel and feel what they play. Dear Ephesus is not a band for mmm boppers. Aaron works with a commanding vocabulary, consisting of words such as: tranquil, sackcloth, posthumous, wanton, and ingrato. "Save me, I have…The Phantom Tollbooth 1997Reviewed by Josh SpencerI had no idea what to expect with this disc, and as the sloppy distortion of the first track filled my headphones my hopes dropped. "Great," I thought, "another talentless 'alternative' band that thinks just because it knows a few chords...." But oh, how quickly was I proved wrong! Strains of melody crept in and then took over, mellow clean-tone guitars sang in sweet contrast to more aggro rhythm…The Phantom Tollbooth 1997Reviewed by Shari LloydAaron Weiderspahn says that, "Everything I write is allegorical or metaphorical. There is always a message of salvation there, but you have to think about it to see it." The Consolation of Pianissimo will give you plenty of food for thought in the smooth moments between the distorted guitars. This album, like most emo, is characterized by more varied or complicated instrumentation than normal…

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    More from Dear Ephesus

    1997A View of Epic Proportions1998The Absent Sounds Of Me

    Also in The Phantom Tollbooth 1997

    1997Secondhand SoulChild's Play1997Various Artists12 Song Sampler1997LivingDeadPuppets1997Ethereal ScourgeJudgement and Restoration1997EmmausLive at the Temple Bar Theatre, Dublin1997Various ArtistsTake Time to Listen Vol. III - Music for Meals