
The deadline countdown had begun at this magazine, and we were behind, too; but the new Galactic Cowboys album arrived, and this was not the kind of album to just let sit for the next issue, and I just had to hear it. After all, this is one of the best bands in the universe! There's 16 (count `em) songs on this CD, so it almost never ends; and the only reason you might want it to finish is to track through it all over again. Two things that pop out at me right away were the "Machine Fish Suite" collection / segregation of seven songs right in the middle of the record; and two, it finally hit home for me how far and divergent this band has gone from its musical kinship with King's X. The pop song cowboys' style that was probably first most evident on "I Do What I Do" (Space in Your Face), has its direction fulfilled and developed on the previous two albums. It has finally just dawned on me how far those two bands, who once were so close musically, have now become so different. The former connection between the two bands seems to be the indirect lyrical focus of "The Machine Fish Suite." Just what was that old producer's name? Regardless of who the songs are about, all seven of them seem to tell a story and spill a lot of disillusionment, anger, and relief (that it's over). A few lyrics from the first two albums show up as well, like, "Yeah, I'm a bit confused / but I'm not amused," and "How could I've been so blind?" Musically, these last three albums could collectively be called The Machine Fish Collection, since the overall direction has been pretty consistent since that album's release. One song in particular here, "Where Do I Sign?," actually sounds a lot like a tune from the last album "Media Slant." But any song here could have fit nicely on either of the previous two. I miss the aural masterpieces of Galactic Cowboys and Space In Your Face that the first two art metal releases were, but I can't deny the greatness of this newer sound, either. Almost a different band, but cranking out another brilliant musical formula.
Other coverage for this album
Art for the Ears 1999Reviewed by Marco PovervestI remember exactly the first time when I heard music from this band. I was in a store listening to one of their albums. It was a hot day in August 1996. The sun was shining brightly and I was in the best of moods. And then I heard beefy metalriffs just like they have to sound, combined with powerful vocals and harmonic sung choruses, a solid rhythmsection and intelligent lyrics. Music full of…
The Phantom Tollbooth 1998Reviewed by Dan TemmesfeldWell, I've really got nothing to say. Nothing to say. "Why is there nothing to say..?" Well, actually, I've got something to say: this CD truly rocks! The Galactic Cowboys have continued to make music that is fun, happy, sad, serious (sometimes it's gotta happen), and an overall chunkified breakfast of everything good about metal, hard modern rock, punk, acoustic rock, The Beatles, and even a bit…
The Phantom Tollbooth 1998Reviewed by Steven S. BaldwinPump up your space suit, fans, the rumors are true. At the End of the Day is a contender for their best-album-to-date crown, right up there next to Space In Your Face or whichever is your current favorite. It delivers abundantly in all the right areas of musical muscle, intense energy, and creativity. Sure, the songs are shorter than the opuses of older albums, but they are also tighter, too. The…Similar sounding releases
2003DoubledriveBlue in the Face
1999BushbabyMedicine
2005The Juliana TheoryDeadbeat Sweetheartbeat
2005StapleOf Truth and Reconciliation
2003King's XBlack Like Sunday
1997GrammatrainFlyingMore from Galactic Cowboys
1993Space in Your Face
1996Machine Fish
1991Galactic Cowboys
1997The Horse that Bud Bought
2000Let It Go




