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    The Phantom Tollbooth 1999/Glass
    Glass — slightly pink ep cover

    Glass

    slightly pink ep

    (1998)

    Reviewed by James Stewart

    Discogs
    Label Coop-de-ville MusicThe Phantom Tollbooth1999
    alternative rockindie rockmodern rock

    Glass doesn't sound much like their name would suggest. Their music is fairly solid modern rock, somewhere between Throwing Muses and PFR. Shireen's vocals are reminiscent of no one so much as Kristin Hersh, but aren't quite as world-weary. The bass guitar is unusually prominent here, but not overly so, and the guitar drives things along with an abrasive edge. The introduction to the second track uses a similar vocal distortion to that favored by PFR around the time they recorded Goldie's Last Day and the melody remains reminiscent of that band's take on the Beatles. The fourth track brings in a funkier wah guitar sound to the melting pot.

    The songs are all originals, penned by Shireen and guitarist/vocalist Paul Cooper. The lyrics are open to interpretation, but I wouldn't be surprised if the constant friend in "anytime" was a reference to Christ. There is nothing revelatory in the lyrical content but the writing is of a decent standard.

    Like many an independent recording, there are times when this release could do with a slightly fuller sound, particularly in the guitars. Nevertheless, the fact that those guitars deliberately remain fairly restrained means that this is not a huge issue and that this is another independent release showing a lot of promise. Perhaps the indie scene in the UK is beginning a rebirth.

    3.5 tocks

    Also in The Phantom Tollbooth 1999

    1999Bell JarSecret Volcanoes1998The Urban Hillbilly QuartetSt. Paul Town1999The Latin PlayboysDose1999RansomDead No More1999SpeckGogglebox1999Various ArtistsSwing Praise Volume One