The Lost Archives Surfacing the reviews of our forgotten youth
    Back to The Lost Archives
    Opus 2001/Hood
    Hood — Home Is Where It Hurts cover

    Hood

    Home Is Where It Hurts

    (2001)

    Reviewed by Jason Morehead

    DiscogsBandcampApple MusicTIDALSpotifyYouTube Music
    Label AestheticsOpus2001
    electronicalo-fipost-rock

    Originally published at Opus →

    Considering that Hood have been churning out damaged lo-fi pop music for nearly a decade, it's somewhat surprising that their post-whatever approach to music can still be so interesting. If you've never heard Hood before, this is as good a place as any, simply because it does a fine job of pairing their earlier sound with a few new twists. Although not necessarily as absorbing as their previous albums, like The Cycle of Days and Seasons, Home Is Where It Hurts still contains a healthy dose of the band's intriguing blend of melancholia, autumnal sounds, and pastoral post-rock.

    I knew that Hood has gone through quite a few interesting musical metamorphoses throughout their career, but I must admit that the damaged drum machine on the title track threw me for a loop. But once the other instruments chimed in, along with Hood's familiar vocals (which sound either really breathy or partly out of tune, and usually both), I knew I couldn't be listening to anything else.

    "The Fact That You Failed" (another example of Hood's propensity for upbeat song titles) may be the best example of what Hood can really accomplish. A slow-burning instrumental, the song just sort of sits there and collects sonic debris for the first few minutes. But the last remaining seconds are deluged in a writhing wall of feedback that sounds completely vicious when compared to how the song began, and very nearly beats Mogwai at their own game too. The first time I listened to this at work, I was afraid my little computer speakers were going to rattle right out of their cases. In fact, I think they may be permanently damaged.

    Although Hood's music has always shown an affection for the likes of Bark Psychosis and Disco Inferno, "The World Touches Too Hard" also shows that the Hood boys have quite a taste for glitch-ridden electronica, a la Oval or Pan-American. Those little electronic gurgles and bleeps, when combined with a dour piano melody and lightly strummed guitar, make this the EP's standout track. The EP's closer, "It's Been A Long Time Since I Was Last Here," is an epic piece in the grand Hood tradition, and shows Hood's skillful use of restraint and layering.

    Similar sounding releases

    2005InnawayInnaway2002Lake TroutAnother One Lost2003Viva VoceLovers, Lead the Way!2002CallaTelevise2003RadioheadHail to the Thief2004ElbowCast of Thousands

    More from Hood

    2005Outside Closer1999The Cycle of Days and Seasons2001Cold House2005The Lost You EP

    Also in Opus 2001

    2001!!!!!!1994Summum BonumDavid Donson1999Various ArtistsA Watching Wilder Edit2001Matt EastonLove Ambition Demo1996After the FloodAfter the Flood2000JetenderpaulThe Modal Lines