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    The Blue Star Journal July 1997/Living Sacrifice
    Living Sacrifice — Reborn cover

    Living Sacrifice

    Reborn

    (1997)

    Reviewed by Kurt Morris

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    Label Solid State Records / Tooth & Nail RecordsThe Blue Star Journal July 1997July 1997
    groove metalhardcoremetalcorethrash metal

    What am I supposed to say about a band like Living Sacrifice? Give me any of their old stuff and I'd kick you in the face. I hated them. They were stupid metal. But I went and saw them at Cornerstone and their show was incredible. So much energy, power, and just such a huge sound. So, I came home and bought the CD and haven't been disappointed one bit. The style of LS has changed into more of a hardcore metal sound and they've also changed vocals, which is the biggest reason that I think I like them now. The vocals are more of a hardcore scream/shout as opposed to the growl the old vocalist used to do.

    Musically, this is probably one of the best harder albums I've heard. The guitar riffs are so enormous that they could kill most people, I think. The guitar is just so superior to anything I've heard lately. It's great. Living Sacrifice is so innovative in their music that it leaves me breathless. They even throw in a little bit of tribal percussion and acoustic guitars, which makes me love this album even more.

    Check out the songs, "Reborn Empowered", "Threatened", or "Sellout" to see what I'm talking about with the music. Lyrically, they touch on everything biblical: pride, selfishness, etc.

    Tooth & Nail definitely did the right thing in signing LS. I'm amazed that since I'm such an emo-wuss kid that I'd like anything metal, but Reborn is too good of an album for anyone to pass up, no matter what your taste in music.

    Other coverage for this album

    HM Magazine #114Reviewed by Ryan ClarkWhat can I say about this album? It’s hard to describe the feeling that Christian metal-heads experienced upon first hearing Reborn. This was the album it seems we were all waiting for. Living Sacrifice had just signed to Solid State Records after quite a hiatus from their previous album Inhabit, and had experienced some major lineup movement, including Bruce Fitzhugh, who previously played…7ball #14Reviewed by Brad CavinessRarely has an album title been so appropriate. Living Sacrifice is indeed Reborn on its debut for Tooth & Nail Records. Gone are the death metal and grindcore references that made the band a joke to most fans of other musical genres. In their place are nods to artists like Helmet, Tool, Korn, and Six Feet Deep. The change is not imitative, but a natural extension of the band's previous image. The…The Blue Star Journal July 1997Reviewed by David ReynoldsIf you delve into the annals of metaldom, you'll find everything from the fathers of heavy metal, Led Zeppelin (by today's standards, not "heavy" at all), AC/DC (really more "hard rock" than metal), and Metallica to the speed metal of Megadeth to the grindcore/death metal people to the "grunge" metal of Alice In Chains and Sepultura to metal's close cousin, Gothic. Living Sacrifice draws on all…Critical Mass #3Reviewed by Tom EdmondsonLS pumped out three brutal albums in a short period of time (1991-1994) and then was out of the studio for about three years. During that time they lost singer/bassist DJ. Then guitarist, Bruce Fitzhugh, stepped in and took over as singer and Jason Truby's (the other guitarist) younger brother, Chris, took up playing the bass. This story, which isn't too unfamiliar in the Christian Metal scene…

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    Also in The Blue Star Journal July 1997

    1996LoudflowerHappy Now?1997BrandtsonLetterbox1997Mancy A'lan KaneMancy A'lan Kane1997DeleriumKarma1997Chris LizotteBig Heavy World1997Dear EphesusA View of Epic Proportions