
Worship music seems to be a growing trend in the CCM market at the moment, with Delirious? continuing to explore worship music in the US and many established acts working on worship material. Onto that backdrop comes the UK's Phatfish, best known for their acid-jazz-funk live sets.
Produced by Alan Shacklock (the Alarm), Purple Through The Fishtank sees Phatfish move towards a more mainstream pop sound, sadly losing touch with some of their jazz-funk roots in the process. Their new sound is stronger and more commercial than older recordings, but seemingly at the cost of the band's distinctive edge.
Having said that, there are a few good songs here, which showcase the vocal talents of Lou Fellingham and the tightness of the band behind her. Fellingham's vocals are powerful and clear, aspects well suited to the new direction the band's going in. Lyrics have been contributed by a number of band members, and make for fairly engaging worship songs if nothing particularly enticing.
It would have been nice to hear Phatfish continue in the direction they appeared to be headed, the extra variety that side of their sound afforded helped the band stand out more clearly. Nevertheless this is a solid pop-rock release which should serve them well in the CCM market.
3.5 tocks
Other coverage for this album
The Phantom Tollbooth 2000Reviewed by Linda J. T. LaFianza / Shari LloydPhatfish proves chicks and trite melodies aren't necessary to praise God--there are still fresh hooks and beats out there. Contemporary worship can have an up-to-date sound. The UK has seen the rise of some of the hottest worship bands around. Phatfish is the latest to cross the pond. Built on a good groove, this release is several steps above your usual praise and worship band. Louise Fellingham…Similar sounding releases
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