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    The Phantom Tollbooth 2002/Project 86
    Project 86 — Truthless Heroes cover

    Project 86

    Truthless Heroes

    (2002)

    Reviewed by Vik Bansal

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    Label Tooth & Nail RecordsThe Phantom Tollbooth2002
    alternative metalhard rocknu metalrapcore

    Back in 2000 the future was looking rosy for Project 86. Their major label debut, Drawing Black Lines, aptly produced by GGGarth, the producer of Rage Against The Machine's seminal debut album, had just been released to critical acclaim, and they were touring the US as part of a dream line-up with P.O.D. and Linkin Park. In the intervening two years, however, Project 86 have had to watch P.O.D. and Linkin Park sprint to mainstream success with combined album sales exceeding fifteen million, while they have remained resolutely rooted in relative obscurity.

    Faced with this state of affairs, many lesser bands would have bowed to the temptation of compromising their art for the sake of commercial success. Not so Project 86. Instead, they have chosen to release what can only be described as a "concept album", though mercifully without all the connotations of hoary, 1970s progressive rock bands that that phrase conjures up. Truthless Heroes is a collection of thirteen songs, punctuated by four recorded "commercial breaks", that all take an angry, satirical and half-ironic look at the culture that surrounds us. With this background there are swipes at power-crazy politicians ("Little Green Men"):

    Out of the playground's ashes
    Come little men with little games
    They're playing war
    They're playing new crusades like new arcades.

    There is despair at the attempted control of our lives by the state ("Salem's Suburbs"):

    Who I am
    Who I'll be
    Has been decided for me
    And they don't even know me.

    There are attacks on herd mentality ("Know What I Mean"):

    Do you know what it means
    To be free?
    Neither do I
    Neither do we...
    ... Being a clone isn't all that it promised to be;

    and, perhaps most surprisingly, there are diatribes against those in the church who commercialize the gospel for financial gain ("S.M.C."):

    Faith is buying me a way
    Buying me a way
    To convert the masses into little servants...
    ... Our steeples are billboards
    Our slogans are converts
    Oh don't forget to buy this T-shirt
    As you leave
    And open up the offering box
    And give until it hurts...
    ... Cause eternity's on up for sale for a small fee today.

    In the light of all this vitriol, it is unsurprising that the accompanying music is suitably aggressive and defiant. However, to Project 86's credit, Truthless Heroes is not just an impenetrable mass of angst, rather a tune-filled collection of intent. Thus, amidst the squirming, dirty guitar riffs of "Little Green Men" and "Know What It Means," the band manages to wrestle out simply stunning choruses. "Caught In The Middle" and "Salem's Suburbs" take this template but throw verse harmonies into the cauldron. "S.M.C.," on the other hand, is a punk/hardcore wonder with an adrenaline pill of a chorus. "Team Black" mixes harmonies, a rage-filled bridge and a huge chorus, replete with pummelling bass drums, to brilliant effect. And the list goes on...

    Doubtless, there will be some long-time followers of Project 86 who find this album difficult, both musically and lyrically. After all, this is not a rap-core album and there are no overt evangelistic statements. However, Truthless Heroes should be judged for what it is: thirteen excellent rock, punk and metal songs that make thoughtful, intelligent statements on the society we live in. And how often can you say that?

    4 tocks

    Other coverage for this album

    The Phantom Tollbooth 2003Reviewed by Mark ReidHere we are in the 21st century and it seems rock is everywhere. Rock bands are multiplying and pouring out of every available musical outlet. Some might say it's a bit of overkill, but that's just some. Out of this abundance of noise comes the latest Project 86, and to these ears, each successive album has been an improvement. Truthless Heroes was released at the end of 2002, and without doubt…Decapolis December 2002Reviewed by Nate BaileyProject 86 is from California and has released several albums with Tooth and Nail. They feature ex-members from Innermeans and have recently released "Truthless Heroes." Having moved away from their early rap-core roots, Project 86 is back with a lengthy 17-track album of hard-edged melodic rock. While being fairly standard for this type of music it's not without its catchy moments. "Salem's…HM Magazine #98Reviewed by Doug Van PeltThis album will stretch but probably please most of the band's fans. Ditching the rap/rock stylings that gave them a foothold, P86 seems to have taken the lessons in songwriting melodies that have benefited their peers in Stavesacre and P.O.D. and crafted some memorable and punching hooks that stay in your head longer than the somewhat brutish riffs of Drawing Black Lines. Another surprise is…Art for the Ears 2002Reviewed by Marco PovervestHere's a real gem. The third album from Project 86 exceeds all expectations. To be honest, I wasn't sure it was going to be. Their debut was one of my favorite discs of the year 1998. The follow-up, Drawing Black Lines, didn't satisfy me though. Yet Truthless Heroes is ten times better. The production (Matt Hyde) is excellent. Each song is a pleasure to listen to. From the harsh, thrashy S.M.C.…The Phantom Tollbooth 2002Reviewed by Tony LaFianzaProject 86 has released a kind of concept record, but Truthless Heroes should not be wrapped in that subtext and left in the heady, contrived, section of your collection. It's more than that; it's a rock and roll party. Truthless Heroes takes Project where they haven't been before. The music has evolved, as also have the concepts and lyrics, into a progressive hard music groove that wasn't…

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