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    HM Magazine #74/Roadside Monument
    Roadside Monument — I Am The Day Of Current Taste cover

    Roadside Monument

    I Am The Day Of Current Taste

    (1998)

    Reviewed by Doug Van Pelt

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    Label Tooth & Nail RecordsHM Magazine #74November 1998
    emoindie rockmath rockpost-hardcore

    The great Roadside Monument is now the late Roadside Monument. It's a shame that this creative faucet was turned off, as it innovated and inspired many. Like its predecessor, Eight Hours Away From Being A Man, this album mixes melody and chaos in a way that keeps you off balance, but not enough to deter you from the emotional trip they seem to be taking you on. Imagine a jazz band being told to play Bauhaus numbers with only drums, bass, and two guitars, only never singing in falsetto. Much like Post Modernism turned the art world back into black and white, this brand of eccentric music is taking hardcore and forcing it to sound almost industrial without the loops. Some say that when hardcore bands get bored they either go emo or lo-fi college rock. Roadside kinda takes the two into consideration and then applies its own slant. A tune like the deftly-titled "OJ Simpson House Auction" shows the band singing about the prettiest pop song they know how, with vocals that sing a mid-tempo ballad a la Joe Christmas, accompanied by a lead guitar that won't quit trying to dance. In the tune probably most likely to be dedicated to donut shops, "Cops Are My Best Customers," the first half of the song whispers along with almost a Starflyer feel, before the band goes on an instrumental journey that would challenge many a musician. In a much healthier trend than suicide or death, the band has probably succeeded in increasing its popularity by being one of the all too many bands that have made the decision to break up this Summer. I'll count myself in as one of the late-bloomer fans. What was I thinking when I still had a few chances to see these guys live more often?

    Other coverage for this album

    Opus 2002Reviewed by Jason MoreheadI think, secretly, Roadside Monument has always been my favorite band to emerge from Tooth and Nail Records. Oh sure, Starflyer is great for bemoaning some girl and I can bust out my Sonic the Hedgehog dance moves to Joy Electric, but for sheer magnitude and musical scope, nothing ever beat Roadside Monument. They quickly disabused the notion that they were an emo band -- they had way too much…

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    More from Roadside Monument

    1997Split1996Beside This Brief Hexagonal1997Puller/Roadside Monument1997Eight Hours Away From Being A Man

    Also in HM Magazine #74

    1997P.O.D.Live At Tomfest1998Brazen FaithNever the SameHolysmokeHolysmoke1998Veni DomineSpiritual Wasteland1998Training for Utopia / ZaoSplit EP1998NormandyDenied