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    HM Magazine #88/Serene
    Serene — Serene cover

    Serene

    Serene

    (2002)

    Reviewed by Jason Dodd

    DiscogsBandcampApple MusicSpotify
    Label Arena Rock RecordingsHM Magazine #88March/April 2001
    emoindie popindie rockjangle pop

    Hailing from PA, Serene bring us Beggars of the Sea, a disc saturated with gentle jangle, Sea-Chi-style 'indie-pop' prone to erupting in ringing moments of 'emo-rock', handled proficiently and with character. They are a production project of Jesse Sprinkle, and a witness to his careful tastes. Serene shine brightest when they collect their melodic thoughts into strong rock chorus, as in "Wars and Rumors of Wars," but that is not to diminish their delightful instrumental work, which delicately frames everything. Perhaps a couple songs could use some more focus, or more release, as they tend to feel constipated, but for the most part Serene exhibit an adventurous sense of tension in their song-writing and presentation.

    Other coverage for this album

    HM Magazine #97Reviewed by Jeffrey EllingerThe Arena Rock Recording Company (Elf Power, Gloria Record, Mink Lungs) recently signed Serene to its already healthy roster of well known and respected indie bands. Serene's first album, Beggars of the Sea, is the brain-child of Ryan Beatty. This album was released earlier independently with 10 songs. Now, it is a full 13-song album with many of the songs being re-mastered and re-recorded.…The Phantom Tollbooth 2002Reviewed by Ken MuellerI'm not a very emotional guy. In fact, there are those who probably feel that I lack any emotions at all. But this new disc from Serene just has me flying high. This is perhaps one of the most beautiful albums I've heard in a long time. I hesitate to use the word "pretty" because of all the connotations that brings with it, but the songs on this disc are pretty. Not in a soft rock, love ballad…The Phantom Tollbooth 2002Reviewed by Trae CadenheadAt first listen, Serene's self-titled release may seem to just be pretty music. However, repeated listens will reveal the music to be beautiful instead of just pretty, and the lyrical backdrop only contributes to this sonic art. Ryan Beatty released most of these songs on the Beggars of the Sea album in 2000 on Lewis Hollow Records. Now, re-recorded and released on a larger label, Beatty's work…The Phantom Tollbooth 2002Reviewed by Michael LearyIt seems that one of the characteristics of our age is that a work of art doesn't have enough meaning unless it is dark and dreary. Whether in film, literature, or music, art doesn't affect us unless it shocks us through sadly immoral narratives or fatalistically depressing "slices of life". And nowhere is this notion clearer than in the independent music scene where it seems that so many artists…Opus 2001Reviewed by Jason MoreheadConsistency is a musical double-edged sword. If you lack it, you run the risk of sounding all scattered and unfocused. The result is music that claims to be adventurous, but just sounds like it has a bad case of ADD. On the other hand, too much consistency is just as bad (if not worse), because it produces music that quickly becomes formulaic and CDs that sound exactly the same from start to…

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