The Lost Archives Surfacing the reviews of our forgotten youth
    Back to The Lost Archives
    The Phantom Tollbooth 2005/Seventh Angel
    Seventh Angel — Lament for the Weary cover

    Seventh Angel

    Lament for the Weary

    (1991)

    Reviewed by Tom MacMillan

    DiscogsApple Music
    Label Pure Metal RecordsThe Phantom Tollbooth2005
    death metaldoom metalthrash metal

    Seventh Angel is one Spinal Tap of a mixed basket.

    On Lament For the Weary, we witness the band at their somewhat understated peak. At the time of the album, 1991, they were touring extensively throughout the UK and other parts of Europe. They managed to build a substantial fan base and mainstream metal popularity, then split up unexpectedly in 1992, without ever giving a live taste to American fans, leaving them with a strong urge to riot.

    Lament is sort of a substandard concept album. The band tells the story, in a rather metallic way, of a man who was beaten as a child. As he retreats further and further into his depression, he considers suicide, and at the climax is about to take his life. Just then, the Spirit stirs within the main character and he remembers the faith of his early childhood. The concept is somewhat uncreative, and leaves the listener totally dry and unemotional. In part, this is due to the lack of tone to the album.

    The music starts in a nature typical of thrash bands; rushed production, subtuned instrumentals, shredding guitar solos; need I say more? Indeed, the album was recorded in two weeks. Though the raw sound of Lament is a problem, the larger issue with this record is the lack of originality. Seventh Angel adds no extra flavor, no spice beyond their rigid metal stereotype. The music is merely an echo of Metallica's forgone thrash era, the aspects of which -- clean classical guitar introductions, singing which combines growls with clean vocals, and a general lack of vocal melody (which is not necessarily a bad thing) -- unbearably weigh upon this album. Besides the unoriginality, the general tone of the album doesn't fluctuate from angry to joyous, but retains a depressed and angry tone even when the main character reaches emotional peaks critical to the story.

    Should one dismiss this album as derivative garbage? Not at all. Seventh Angel are a band with many talents; Ian Arkley is an incredible talent on lead guitar, "Tank" pulls five times his weight on drums -- but the band was not virtuosi in terms of writing material. Though it gets old very, very fast, Lament is enjoyable in mild doses.

    3 tocks

    Other coverage for this album

    Heaven's Metal #33Reviewed by Doug Van PeltHey, these guys have discovered hooks! This band is getting better and better. Instead of just seeing how fast they can go, they actually have direction to their travel. The rhythm section sounds very tight, and they pull off some heavy grooves. Even a non-thrasher would find themselves headbanging to these tunes. "Recollection Of A Life Once Lived" starts off the album on a good foot, and side…Salt #12Reviewed by scary guyHeavy! Heavy! Heavy! This thrash outfit from England know how to do it mega heavy. Eleven songs here. 3 of which are instrumentals, but all of 'em are good. The lyrics aren't as hardcore as their debut, but tell a story about a person's life and relationship with God, & how it all ends up. As far as their sound goes, they sound very much like a slower, more intricate Death. Now don't get me…

    More from Seventh Angel

    1990Heed the Warning1990The TormentRed Demo

    Also in The Phantom Tollbooth 2005

    Karlene BartoloFather of Light2005The Skaggs FamilyA Skaggs Family Christmas2004AdelaideOver Tired & Ill Prepared2005Rita SpringerI Have to Believe2005Addison RoadAlways Loved You2005D-LarsonWeek 70