
Fell In Love At 22 EP, the latest Starflyer 59 venture finds Jason Martin and crew wandering down familiar terrain - a mellow, laid-back groove that started somewhere between Silver and Gold that continues to appear more and more.
The title track of this EP is essentially the same as the album version, as best as I can figure, and isn't really a "value-added" track in that sense, if you already have The Fashion Focus. But the key to this project seems to be that the other songs on the disc all build from this theme. There is a laid-back musical atmosphere to the tune "We Want It Bad," which only adds to the obscure lyrical direction:
I can't relax while laying down, It's all right they'll come right back, You can't compress with the always used. Please give me something new We want it bad
Oddly enough, not only does this work, but it is also part of Starflyer's success. By all rights, this band's music should not be compelling: its lyrics are at best oblique, and its tunes simplistic. Nevertheless from this combination, there seems to be a strength.
Considering that the once-trademark wall-of-sound only makes a brief appearance in "E.P. Nights" (the first song since "2nd Space Song" to mention Jesus by name) and the rest of the songs stand on their own merits rather than on the noise factor, says something about Martin's growth as a songwriter. Of course, having Gene Eugene around never hurts either - his auxiliary organ presence adds a definite vibe to the group.
The track that will make or break this EP in most people's minds is probably "Traffic Jam." At a little over 14 minutes in length, it is one of those songs you will either love or hate. This jam is not like Havalina Rail Company's "Traffic In Moscow," which was a delightful bit of cacophony. Instead, this is a long, sprawling, easy affair. Imagine surf music slowed down, with an odd sample (train, helicopter, police car) thrown in, and you pretty much have the idea. For me, it worked. Whether it will work for you is really a matter of whether or not you think that this sort of song is a justifiable experiment.
"Samson" is another slow, quiet, sweet song to finish off the set. While there is nothing remarkably new about either the chord structure or the style of this song, still it is a fitting end to the disc.
Maybe Fell In Love At 22 EP is not Starflyer 59's best album. However, like the rest of their EP's and singles, it has an experimental edge, which makes it pretty cool in its own right.
Other coverage for this album
HM Magazine #78Reviewed by Doug Van PeltWow! Have you heard the news, oh boy! I think maybe Jason finally allowed himself to listen to a Beatles record or two! Regardless if the title track sounds like one of this century's most ground-breaking bands, this little EP features probably the best produced Starflyer song ever. Oh my gosh! I need to go back and listen to The Fashion Focus! How could I have let that album pass me by? The…
The Phantom Tollbooth 1999Reviewed by Keith GilesThere's something about this band that exudes an untouchable cool factor. Is it the layered guitar effects that swirl around Jason Martin's husky, whispered vocals like ethereal smoke? Is it the disaffected attitude that permeates each unintelligibly sad lyric? Is it the gargantuan wall of distorted noise? No. It's none of those things separately, but the sum of each wound together in a lovingly…
The Phantom Tollbooth 1999Reviewed by Jeff ElbelSpotlighting a track from SF59's fourth LP, "The Fashion Focus," this collection finds vocalist/guitarist Jason Martin toning down the noise in his noise-pop considerably. Earlier musical touchstones such as My Bloody Valentine and Ride yield to Bernard Butler a la People Move On during Martin's bittersweet title cut. The familiar wall of fuzz reappears only briefly, during "E.P. Nights." "We…Similar sounding releases
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