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    The Phantom Tollbooth 2001/The Autumns
    The Autumns — Le Carillon cover

    The Autumns

    Le Carillon

    (2001)

    Reviewed by Ken Mueller

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    Label Absalom RecordingsThe Phantom Tollbooth2001
    dream popindie popshoegaze

    Le Carillon is the latest EP offering from The Autumns, a band that already has three EPs and two albums under their belt. The band creates some of the most sonically pleasing pop that hearkens back to the sounds you might have heard while slow-dancing at a sock hop in the fifties (if you had been around back then!). Recorded at the famous Green Room, this disc is produced by Andy Prickett (Prayer Chain, Cush), who has worked with the band on several of their past efforts. All four songs on this disc will whet your appetite for their next full-length CD, and you'll feel as if this EP were just too darn short.

    The best tune on the disc is the very poetic "Quite":

    All sunk the slumber
    Eyes bedewed
    Your lips will come unglued
    Though tears becloud the sight
    Of kites torn asunder
    In the blue
    A silver spittle slew
    We grace wings under the night.

    On "Thieves In Blue" there are shades of Spandau Ballet and throughout you can hear the major influence the Cocteau Twins have had on the band (Simon Raymonde has produced several of their releases). The final two songs are "Slow Kiss" and "She Whispers in the Winter Snow." With subtle changes to their evocative, dreamy pop over the years, the Autumns are finally poised to make more than just a blip on the music world radar.

    4 tocks

    Other coverage for this album

    The Phantom Tollbooth 2001Reviewed by Brian A. SmithOn Le Carillon, The Autumns endeavor to create a period piece - the artwork, song styles, and lyrics are designed to make us feel as if we have returned to the 1950's. Produced by Andrew Prickett, this EP is a set of four lush, ethereal, pop songs that almost go too far to imitate that sound. At times vocalist Matthew Kelly approaches Buddy Holly, at others he resembles Elvis Costello at his…Opus 2001Reviewed by Jason MoreheadThe dreamy pop song... it's really a lost art, isn't it? Oh sure, there are plenty of winsome and woefully poetic indie popsters out there writing ballads for the brokenhearted, with heavy lyrics and a bevy of guitar effects. But too often, those come off as the kind of romantic whining you wouldn't allow your best friends to get away with. There are a handful of artists, however, whose attempts…

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