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    The Phantom Tollbooth 1999/The Channelsurfers
    The Channelsurfers — Tunnel Vision cover

    The Channelsurfers

    Tunnel Vision

    (1997)

    Reviewed by Steven S. Baldwin

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    Label Organic RecordsThe Phantom Tollbooth1999
    alternative rockfunk rockrap rockreggae

    Hybrid music that defies easy categorization is all the rage these days regardless of where you look, and the Channelsurfers prove to be one of the best examples of this pseudo-genre in the distinctively Christian music ghetto, and only a wee bit behind the times. Taking some cues from bands like the Red Hot Chili Peppers, the Mighty Mighty Bosstones, Rage Against the Machine, and the Artist Who Was and Now is Again Known as Prince (gasp), they've fashioned an infectious mix of crunchy pop-rock sensibilities with both funky and metal-esque guitar chops. Among their nods to ska, reggae, and old-fashioned rhythm and blues, they even use some jazz guitar licks a la George Benson on one track. The band's particular approach to all of these tunes is via decidedly modern alternative-rock vibes, and the outcome is a potpourri of a wider variety than usual of currently popular styles.

    Of particular note on Tunnel Vision is the work of brothers Lance and Jon Hill on drums and bass respectively. Together they create a bottom end that is thick and bumpy enough to keep your toes tapping and booty shaking. All the guitar and trombone parts are deftly handled by Tim Bushong, and Jason Brown is the able lead-vocalist.

    Accessible pop, sing-along highlights like "So Far Away" could certainly gain the band more air-time on CCM radio, but many of the songs such as "Like Job" are (gratefully) louder than your average Dove Nominee wannabes. The most fun track of the batch is "Lonely Guy," which features Jason Brown's best James Brown imitation on a number that invokes the Godfather of Soul's funk right on down to trademark phrases like "Ah!" and "Work it!" The song names a number of "lonely guys" from Woody Allen to Pee Wee Herman in a clever collection that also poses the important question, "Tito Jackson -- where is he now?" Regretfully, the spoken word bits at the end of the song seem to suggest that God is a magic cure for loneliness, a point on which prophets and Biblical figures like Jeremiah and Job might beg to differ. Similarly, the other songs' lyrics are also too often on the simple side. For example, "Without You," with its plain chorus of "God is right, and I was wrong," may be theologically and experientially correct, but it also lacks ambition. This song does get bonus points, however, for its amusing samples from Sylvester Stallone's first Rocky movie, displaying a sense of humor that pervades the album.

    Because the Channelsurfers effortlessly click through musical styles like so many cable TV channels, the resulting album is dogged by too wide a variety. Their sound and inspirations are so widely diverse that the resulting songs occasionally come off feeling scattered. Yet, the Channelsurfers get credit for showing more ambition in their lyrical approach than most bands this ready for CCM radio, which is also evident in their use of clever, and even challenging samples. This fun, fledgling band is on the right track and bound to continue defining their sound into something that truly works best for them. If they stick to it and develop their skills along those lines, they could be headlining in no time.

    3 tocks

    Other coverage for this album

    The Phantom Tollbooth 1999Reviewed by Josh SpencerTaking their name in response to a TV-addicted generation, these men pump out a fresh blend of heavy guitar chords, rap, and funk, with a sprinkling of reggae and ska thrown in for good measure. They REALLY want the kids to like 'em. Tim Bushong, formerly of the King's X-ish hard rock band Lovewar, is the guitarist, trombone-player, and background vocalist here. He's also the producer, so you can…7ball #16Reviewed by Dan EwaldWith a name like The Channelsurfers, a smorgasbord of musical styles and pop culture references are to be expected. On their debut, Tunnel Vision, the band fuses punk, reggae and funk, all the while discussing and dissecting disposable modern culture. Highlights include: "Lonely Guy," which rattles off a series of famous "lonely guys," including TV characters, newsmakers and actors whose public…The Lighthouse Unsorted 1998Reviewed by Todd HayesTunnel Vision by The Channel Surfers is truly a breath of fresh air. Their musical stylings have been unmatched in the recent history of Christian music. The band features guitars and drums set to a reggae rhythm. I would describe them as a cross between Imagine This and The Insyderz, plus some reggae. From a secular standpoint, I would also compare them to 311 and The Red Hot Chili Peppers. The…

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