If you already own the demo/EP Kissers And Killers, do not be disappointed by the arrival of the re-packaged version Speckled Bird. This new, "real" album is an augmentation of that independently-distributed disc, yet its presence does not negate either offering. Thanks to distinct and uniform excellence, you can own both the full-length record and the delectable rarity without griping about wasting money.
After an attempt to use Killers as a calling card to mainstream labels, The Choir has wound up at R.E.X. (at least for now). Where the band heads from here is unknown and of little relative importance for enjoyment of this fine Speckled Bird. All parties benefit immensely; the band got to record new material, the label has a fine addition to its eclectic portfolio and, not least of all, fans get some great music. One does hope this will be the beginning of a higher profile for this band, though.
Overall, Speckled Bird is a clean, loopy slice of engaging, melodic rock. While maintaining much of what drove Killers (such as "Gripped" and "Amazing",) there are five new songs added to the mix. That the parts fit so seamlessly says much about what potential buyers can expect. This collection is cohesive and satisfying, making it attractive to old and new fans alike.
As a band, The Choir continues to shine as a tight, focused unit, defying a mere label such as "alternative rock." The texture is quite rich with solid drumming, zesty guitar hooks and direct, deadpan vocals. An assortment of miscellaneous instruments and sound effects only enhance the tone.
Lyrically, Steve Hindalong does have a unique, though at times gauzy, way with words. While often poetic, all or part of songs like "Never More True" and "Speckled Bird" may elude some listeners. The abrupt treatment of human love relations—as in "Gripped," "Amazing" and "Love Your Mind"—though honest and not "incorrect," may cause some to pause to find a context. Some of the more successful lyrics can be found in "Weather Girl" (an excellent encapsulation of a tempting adultress a la Proverbs 7), "Kissers And Killers" (an effective and succinct statement on dichotomy and hypocrisy) and "Grace" (a heartfelt plea for various forms of sad virtue).
Speckled Bird will surely satisfy any appetite whetted by Kissers And Killers. If the act of searching for a record label always gets The Choir's creative juices flowing this well, they should consider becoming permenent nomads.
4/5
Other coverage for this album
The Lighthouse July 1994Reviewed by Beth BlinnAfter an absence of several years, The Choir have emerged back onto the Christian music scene with Speckled Bird, their first label release in four years. After the band's contract with Myrrh ended in 1991, they have spent the last several years pursuing a mainstream contract. During that time they produced an independent eight-song project, Kissers and Killers, that had a limited pressing and…Similar sounding releases
1994Sunday BlueBreathe
1996The KryWhat About Now
1999Michael Knott / L.S. UndergroundDefinitive Collection
2003The Prayer ChainHere Comes the Rust
1998Send the BeggarSend the Beggar
2002Poor Old LuThe Waiting RoomMore from The Choir
1990Circle Slide
1996Free Flying Soul
1997Let It Fly
2000Voices in Shadows/Shades of Grey
1993Kissers and Killers
2000Flap Your Wings
