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    The Phantom Tollbooth 2003/The Violet Burning
    The Violet Burning — This Is the Moment cover

    The Violet Burning

    This Is the Moment

    (2003)

    Reviewed by Matt Modrich

    DiscogsBandcampSpotify
    Label Northern RecordsThe Phantom Tollbooth2003
    alternative rockgothic rockmodern rockpost-punk

    The Violet Burning is similar to U2, especially with Michael Pritzl singing like Bono. However, the main difference between the two bands is that The Violet Burning is more of an '80s pop rock band. This is the Moment is the California band's latest release on Northern Records.

    What's also different from U2 is that almost every single song on This is the Moment has some form of clear spiritual significance. "Everywhere I Go," "The Only One," and "Lord, Rescue Me" are three worship songs that could be sung in a church.

    "Lovesick," "Radio Jesus Superstar," and "I'm Not Letting Go" are three of the best tracks on the twelve-song disc. The electronic beats and keys provide some interesting music, but the songs are repetitious to the point of boredom.

    This Is The Moment is not The Violet Burning's best. For its genre, the album just isn't catchy enough.

    Other coverage for this album

    Opus 2003Reviewed by Chris BrownIt was somewhat confusing when Michael Pritzl announced that he was releasing an album as The Gravity Show. When you have a band that is essentially a solo project with a rotating cast of musicians -- as has always been the case with Pritzl and The Violet Burning -- why exactly do you need a side project? The release of This Is the Moment, Pritzl's seventh release under the Violet Burning moniker…The Phantom Tollbooth 2003Reviewed by Keith GilesTo many of the younger, alternative rock fans out there, the name "Violet Burning" may not resonate a sense of excitement and anticipation. But, for the rest of you, This Is the Moment will be an answer to your prayers. Most longtime Alternative Rock fans know that any new recording from Mike Pritzl is reason enough to cheer, and this new recording doesn't disappoint. The band has been prolific…The Phantom Tollbooth 2003Reviewed by Trae CadenheadWhen your favorite band releases a new album it can be both exciting and scary at the same time. On one hand, there will finally be some new music to listen to instead of the old CDs that you loved so much. But on the other hand, what if this new release disappoints and forces you to go back to the old CDs, longing for those better days. The Violet Burning's music is very personal for me. It…The Phantom Tollbooth 2003Reviewed by Kevin MathewsEssentially a Michael Pritzl solo project, The Violet Burning's latest release is one of the year's strongest, encapsulating the passionate inspirations of '80s post-punk and '90s indie pop while remaining relevant to the new millennium. Pritzl bares his soul and expresses his faith sincerely and artistically without ever resorting to cliche and formula. Highlights include the anthemic…The Phantom Tollbooth 2003Reviewed by Mark ReidThe year is 2003, a new century--heck, it's a new millennium--and here crashing in on my own little musical world, after many years, is the Michael Pritzl-led Violet Burning. In fact, my last encounter was the 1992 release Strength, whose lyrical magnificence still gets me in {the} heart. I am nothing and I have nowhere to turn I am nothing so I lay down and cry for mercy, oh mercy STUNNING!!!…The Phantom Tollbooth 2003Reviewed by Ramona Anne DubeMichael Pritzl and his band, the Violet Burning, sound absolutely incredible on this studio recording with a very full sound that lacks nothing. There are just enough driving drum beats, the right amount of electric guitar, and a few other things thrown in here and there for good measure, to provide a nice bed for Pritzl's incredible vocals. This album is certainly a keeper and an excellent…

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