Well, well, well, what do we have here? Third Day is back with the follow-up to their self-titled debut, and this one smokes! Gone is most of the Little Feat flavor that kept me from raving about their first release. The band's musical sound is definitely alternative now, with the Black Crowes' southern rock leanings barely noticeable. These guys have really grown up. Their music has a much harder edge. If you weren't paying attention, you could easily confuse this with Pearl Jam. Wow!
Mac's vocals were good before, but now they're awesome, sounding more like Eddie Vedder (Pearl Jam) than Darius Rucker (Hootie and the Blowfish). The change in production made a big difference. Instead of the subdued qualities that came with their first album, his vocals are more raw, more natural, and far more powerful. They enthrall where they lulled before, grabbing you by the ears and making you listen to what he has to say.
As with the first album, there is no let down as far as the instrumentation goes - it is excellent. Tai Anderson is a talented bass player; Brad Avery and Mark Lee know how to play guitar; and Ray Dillard is a real professional on the drums. These guys work together to create a musical sound that is well above the average in the industry these days. Did I say they sound like Pearl Jam?
As with the vocals, the production takes a big step forward for the rest of the sound too. The instruments are clearer, more defined. The guitars are louder, heavier, and definitely groove with crunch and grunge tones. The drums and bass are there to support the sound and keep the rhythm, not flood it out or leave it sounding weak. It takes the music that last step from above average to excellent. It reminds me a lot of Pearl Jam.
Most of the lyrics still have that Christian conviction in them that the first album did, but there are some exceptions like "You Make Me Mad," which is about music; "This Song was Meant for You," which tells the tale of lost love; and "Gomer's Theme," which tells about a cheating woman and a loving man--any of these would fit right in on any alternative radio station.
Don't let the beginning of the first song fool you, this rocks! "Peace" starts out with a jangly, mellow sound like Smalltown Poets. Just as you turn up the volume, it knocks you down with a distorted guitar that will blow speakers. Very Cool. Mac's rambling phrasing and breathy baritone vocals here will make dedicated Eddie Vedder fans scramble for the liner notes to check who is singing.
The fourth track, "Alien," is one of my favorite songs. Based on Psalms 146:9 and Luke 19:10, it is a plea to the Father for salvation:
Keep your watch over me
Sustain the life in me
Frustrate the ways of every wicked man
Let me inside your home
Father defend my cause
Plead for my case and my innocence
(Chorus)
I am just like the alien the fatherless and the widow
I am just like the alien the fatherless and the widow
(Bridge)
Just like the alien I'm a stranger in a strange land
Just like the fatherless I'm in need of someone to take my hand
Just like the widow I need you right now to understand
And save me,
Won't you save me . . .
As the song progresses, the intensity level just keeps increasing. By the time it closes, you're ready to explode from the energy. Awesome!
"Have Mercy" is the only throwback Black Crowes' type song. "How's Your Head" and "Your Love Endures" still have a touch of that Hootie and the Blowfish sound, although the other mellower songs ("This Song Was Meant for You," and "Who I Am") sound more like (you guessed it) Pearl Jam. Don't give up and pop this out after the end of the last song. There is an awesome hidden jam about 5:12 into the final track.
If you were expecting the Third Day of the debut album, you may be disappointed. If you didn't like the first album because it was too mellow, you owe it to yourself to check this out. This is a great buy!
4.5 tocks
Other coverage for this album
Exit Zine 1999Reviewed by James M. BranumWhile I am still somewhat new at reviewing albums, I feel that an album worthy of five stars has to be very special. The album must be musically and lyrically strong. It must flow well and have no songs that slip below the standard of excellence. Furthermore, the album must be creative, convey powerful emotions, and truly express the faith and beliefs of the artist. Conspiracy No. 5 earned this…The Lighthouse December 1997Reviewed by Bert GanglThe self-titled debut release by Atlanta's Third Day sold more than 200,000 copies, produced four number one singles, earned a Billboard Video Award, and even garnered a fair amount of airplay in the general market. With the success of the first album, the release of the follow-up project has been the source of both anticipation and curiosity among critics and fans alike. And, as almost always…7ball #14Reviewed by Beth BlinnFans of Third Day's self-titled debut on Reunion Records should prepare themselves for the growth that is displayed on the band's sophomore release, Conspiracy No. 5. The Atlanta-based band upped the aggression ante somewhat, while still retaining their penchant for melodic hooks. Of course, three years have passed since much of the material on the first album was recorded for the band's…The Phantom Tollbooth 1997Reviewed by Josh SpencerI remember being a young teenager and hearing my first Christian rock album. I thought it was so cool that it sounded exactly like one of my favorite non-Christian bands but with Christian lyrics! Then as I grew older I learned that Christian bands imitating "secular" ones more often than not simply reinforced my unsaved friends' opinion that there is nothing genuine or original about…The Phantom Tollbooth 1997Reviewed by Steven S. BaldwinPower pop Pearl Jam-esque praise music. To be fair, Pearl Jam isn't the only influence. Other sonic snippets arouse the reminiscence of many other bands, including such diverse inspirations as The Cure and Alabama. Despite the lack of uniqueness and anything spectacular by way of music or lyrics, they've created a captivating mesh of encouraging lyrics and mostly upbeat sounds. The underlying…Similar sounding releases
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