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    The Phantom Tollbooth 2002/Watermark
    Watermark — Constant cover

    Watermark

    Constant

    (2002)

    Reviewed by Bert Gangl

    DiscogsApple MusicAmazon MusicYouTube Music
    Label Rocketown RecordsThe Phantom Tollbooth2002
    adult contemporaryccmpop rockworship

    Arriving nearly two full years after its predecessor, Constant, the third release from married duo Watermark, seems to take a good number of its cues from that which has preceded it. Like 1998's self-titled debut and All Things New, which followed in 2000, Nathan and Christy Nockels have fashioned their latest release upon a framework of ballads, worship songs and mid-tempo pop/rock, to mostly fine effect. "Made for You," an affirmation of honest communication between spouses, features an engaging jazz-tinged texture. Likewise, Christy Nockels' vocal work - itself a formidable blend of Christine Dente's breathy dissonance, Cindy Morgan's soulful inflection and, say, Erin O'Donnell's pop sensibility - is an exceedingly capable vehicle for the infectious soft-rock of "No Idea." And the gripping alternation between hushed yearning and grand declaration on entries like "Holy" and "Friend for Life" (Living water, swallow me/ Deepest river, wash me clean/ Jesus, Savior, more of thee) mirrors much of the fine work from the couple's ongoing work with the Passion Worship Band.

    The album does run dry in places, with songs such as "Remember" and "Carry You" exhibiting a pleasant, but undistinguished character and, ultimately, leaving little lasting impression. Still, for the most part, Nathan Nockels' production coats the album with just the right fractions of gloss and grit, rendering entries like the soaring, syncopated title track and the gloriously hook-laden "Seek Me" shoo-ins for best-of-album status, not to mention eminently worthy candidates for copious pop radio airplay. Of course, it goes without saying that commercial success and artistic merit aren't necessarily intrinsically linked. Nonetheless, Constant stands as the duo's strongest effort to date. And, considering the third album's heartfelt vocal delivery, tenacious instrumental work and intelligent lyrics, the Nockels' cache of Number One radio singles, multiple Dove Award nominations and cumulative sales of 300,000 plus units all seem very well-deserved indeed.

    3.5 tocks

    Other coverage for this album

    The Phantom Tollbooth 2002Reviewed by Curt McLeyHere's a stark confession. I'm not a fan of modern worship music. It's not that I'm offended by omnipresent worship projects; I'm bored by them. Homogenized lyrical content and song construction has made this subset of Christian music tiresome and tedious. While I don't question the heart, sincerity, or effort of these worship projects, I'm just not generally inspired by what I hear. In contrast,…

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