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    The Phantom Tollbooth 1998/Eric Champion
    Eric Champion — Natural cover

    Eric Champion

    Natural

    (1998)

    Reviewed by Daren Allder

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    Label Essential RecordsThe Phantom Tollbooth1998
    alternative rockdance rockindustrial rockmodern rock

    1996's Transformation album saw the consolidation of Eric Champion's bright new rock/dance fusion, replete with crunching guitars and assorted synth bleepery. The time was right for such a beast, riding the last few breakers of the early/mid 90's tide of grunge, and simultaneously fuelling the public's need for something a little new. This was the era of the similar-sounding Babylon Zoo, who supplied the soundtrack for a Levi's advertisement, and about whom people nowadays are apt to say... "Who?".

    Transformation was a rollercoaster ride through guitar-driven dance ("Sparkle in your Beat"), 'traditional' grunge ("Temptannie"), preposterous speed-punk (a cover of the Amy Grant favourite "Every Heartbeat"!) and some great songs and clever lyrics: check out "Life Form"'s heartfelt plea for change, or "What's in a Name" for a new slant on how far Jesus humbled himself.

    Well, now Eric's back with Natural. The array of musicians has all but completely changed, the image is a tad less futuristic and a bit darker, but he still has a taste for big guitars, orange things, strange electronic noises and smart words. Now, when you've taken one rollercoaster ride, you want the next one to be different and even more exciting. But that doesn't happen here. In fact, this new ride has lost some of the unexpected turns of before, tending more to being more high speed and relentless. By leaning further towards denser rock, Champion has lost some of the space for interesting melody or dynamics. Worst case in point is probably "Breakin' the Room" with its squealing guitar intro and rapid-fire rapped verses. Sure, there are some respites from this onslaught: high spots which include the almost beautiful "Giving Up" and "I Wanna Come Home" and the imaginative "Simulated Sunlight", but sadly the highs are at least matched in number by the artistic lows: e.g. the clumsy techno-posturing of "Hacker's Prayer" and the retro Steve-Taylor-by-numbers of "God Only Knows".

    If you heard Transformation and wanted more, then that's exactly what you get here: some more. And that's not necessarily a bad thing. This album is okay. But if you heard Transformation and wanted MORE, you'll be left wanting.

    2.5 tocks

    Other coverage for this album

    7ball #19Reviewed by Dan MacIntoshHow many times has somebody told you to "act natural"? Sounds like good advice, doesn't it? Eric Champion begs to differ. His new album, Natural, argues that not only is this opening statement bad grammar, it's also deceptively bad advice. Acting naturally involves following what our nature tells us to do. But because our untrustworthy nature is a flawed piece of equipment, such behavior leads to…The Lighthouse Unsorted 1998Reviewed by Alex KlagesWhat a difference a few years can make! The last time I paid any serious attention to Eric Champion's music he was doing dance/club music. That wasn't really my style at the time, so I ignored his music for a while. Listening to Natural, it is clear that his style has changed. He's still the keyboard and synth wizard he has always been, but instead of heading down a Joy Electric-style pathway,…

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    More from Eric Champion

    1996Transformation1994Vertical Reality

    Also in The Phantom Tollbooth 1998

    1986CarmanA Long Time Ago ... In a Land Called Bethlelem1998Tribe of DanThe Bootus Red1998SemisonicFeeling Strangely Fine1983Amy GrantA Christmas Album1998Maire BrennanPerfect Time1998Secret Archives of the VaticanReformation