
The smooth harmonizing of a redneck Simon and Garfunkel has manifested itself in the larynx of Sam Beam (a.k.a. Iron and Wine). The liner notes claim that Beam recorded and produced this record in his home, somewhere in the urban sprawl of Miami. The atmosphere is, however, more rural backwater than metropolis: a rustic poet reclining in a worm-eaten rocker on a Southern back porch, chewin' tobacco, pickin' a guitar and singing lyrics that are a twisted fusion of the Waltons and Edgar Allan Poe.
This album is a collection of contrasts. It is simultaneously warm, frosty, breezy, heavy, comforting, disconcerting, hopeful and bleak. Understated acoustic guitars and Sam Beam's warm, mild vocal (often harmonizing with itself) wrap themselves around lyrics that are both nostalgic and tragic, that celebrate childhood, love and faith, but also lament their loss. Such is the conflict of "Upward Over the Mountain," where gentle, cantering guitar chords accompany poetry that bristles with despair:
Mother I made it up from the bruise on the floor of this prison
Mother I lost it all, all the fear of the lord I was given
Mother forget me now that the creek drank the cradle you sang to
Mother forgive me now, I sold your car for the shoes that I gave you
Similarly, "Lion's Mane" juxtaposes warm melody and slivers of slide guitar with subtly subversive lyrics:
And love is a tired symphony
you hum when you re awake
and love is a crying baby
Mama warned you not to shake
And love's the best sensation
hiding in the lion's mane
As a whole, the album is highly homogenous, with little variation in tone or pace. This doesn't detract from its quality in any way though, as each listen reveals new depths. Put simply, this is an outstanding piece of art and, for fans of alt-folk, set to be one of the year's highlights.
5 tocks
Other coverage for this album
Opus 2002Reviewed by Chris BrownIt seems like just about every half-cocked, melancholic folk singer going these days is actively inviting comparison to Nick Drake and Elliott Smith. Problem with looking for those types of comparisons is that you've got to live up to the stellar work of Drake and Smith, and pretty much nobody does. Instead they just come off sounding like a really low-grade knock off. Enter Iron and Wine. Sam…Similar sounding releases
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