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    The Phantom Tollbooth 2003/Iron & Wine
    Iron & Wine — The Creek Drank the Cradle cover

    Iron & Wine

    The Creek Drank the Cradle

    (2002)

    Reviewed by Shelby Foster

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    Label Sub PopThe Phantom Tollbooth2003
    alternative folkfolklo-fisinger-songwriter

    The smooth harmonizing of a redneck Simon and Garfunkel has manifested itself in the larynx of Sam Beam (a.k.a. Iron and Wine). The liner notes claim that Beam recorded and produced this record in his home, somewhere in the urban sprawl of Miami. The atmosphere is, however, more rural backwater than metropolis: a rustic poet reclining in a worm-eaten rocker on a Southern back porch, chewin' tobacco, pickin' a guitar and singing lyrics that are a twisted fusion of the Waltons and Edgar Allan Poe.

    This album is a collection of contrasts. It is simultaneously warm, frosty, breezy, heavy, comforting, disconcerting, hopeful and bleak. Understated acoustic guitars and Sam Beam's warm, mild vocal (often harmonizing with itself) wrap themselves around lyrics that are both nostalgic and tragic, that celebrate childhood, love and faith, but also lament their loss. Such is the conflict of "Upward Over the Mountain," where gentle, cantering guitar chords accompany poetry that bristles with despair:

    Mother I made it up from the bruise on the floor of this prison
    Mother I lost it all, all the fear of the lord I was given
    Mother forget me now that the creek drank the cradle you sang to
    Mother forgive me now, I sold your car for the shoes that I gave you

    Similarly, "Lion's Mane" juxtaposes warm melody and slivers of slide guitar with subtly subversive lyrics:

    And love is a tired symphony
    you hum when you re awake
    and love is a crying baby
    Mama warned you not to shake
    And love's the best sensation
    hiding in the lion's mane

    As a whole, the album is highly homogenous, with little variation in tone or pace. This doesn't detract from its quality in any way though, as each listen reveals new depths. Put simply, this is an outstanding piece of art and, for fans of alt-folk, set to be one of the year's highlights.

    5 tocks

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