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    The Phantom Tollbooth 2001/P.O.D.
    P.O.D. — Satellite cover

    P.O.D.

    Satellite

    (2002)

    Reviewed by Aaron Bell

    DiscogsApple MusicTIDALAmazon MusicSpotifyYouTube Music
    Label Atlantic RecordsThe Phantom Tollbooth2001
    alternative metalnu metalrap metalreggae

    It seems almost surreal, on a day that will be forever marked as a day of national tragedy paralleling, if not surpassing, that of Pearl Harbor, the Challenger explosion, or the assassination of President Kennedy; on a dark day when America stood still, one of the brightest spots in music released an album. The musical bright spot is P.O.D., and the music they make is from a Christian world view.

    Satellite, P.O.D.'s second major label release and the follow-up to the wildly successful Fundamental Elements of Southtown, is another powerful release from one of the most talked about up and coming bands in music. Taking the strongest points of their Atlantic debut, adding some new elements, and
    sharpening what works best for P.O.D. are the standout features of the new album.

    The album opens up with a rockin' track called "Set It Off," with driving guitars plus hittin' drums and bass under Sonny's rapped lyrics. This track leads into the first single off the album, "Alive," which is similar in style to the tracks that worked best on the major label debut. A straight ahead rock vibe with Sonny rapping some incredible lyrics expressing a blatant, in your face message of Christ. Lyrics that reflect what that message means to the band, satisfying the idea of compromising their beliefs in the face of fame:

    Sunshine upon my face
    A new song for me to sing
    Tell the world how I feel inside
    Even though it might cost me everything
    Now that I know this, so beyond, I can't hold this
    I can never turn my back away
    Now that I've seen you
    I can never look away

    Another track that stands out is "Youth of the Nation," which addresses the idea of violence and what teens face in this modern time of brutality and irrational acts. The added element of a youth choir singing the chorus at the end of the track adds a spiritual voice to this cry for understanding. There is a guest appearance from reggae artist Eek-A-Mouse on the track "Ridiculous," which uses an upbeat guitar rhythm giving the song a strong reggae/rock vibe. The sound works well with Sonny's voice, and the band picks up the style very well.

    Other guest appearances include Christian Lindskog, of Blindside, on a track entitled "Anything Right." The song opens up with a hard rhythmic guitar that leads into a slight violin break. A more quiet vocal delivery gives a dreamlike quality to the song, until the chorus hits with some hardcore style vocal delivery which is a stark contrast to the verses, but the effect is dramatic indeed.

    H.R., of the legendary hardcore band Bad Brains, also makes an appearance on the very hardcore influenced track "Without Jah, Nothin'." The track is melodramatic with Sonny's lyrics deeply buried in the hard edged delivery. The song is good, but different.

    Satellite is an interesting, quality, and dramatic album. P.O.D. holds its own with most of the hard rock bands out now. The band is very capable, and this album is just another testament to that.

    5 tocks

    Other coverage for this album

    HM Magazine #98Reviewed by Doug Van PeltThis double-disc re-issue features 3 ho-hum remixes on Disc 1, and a fabulous live DVD as Disc 2. The footage and sound is so brilliant that it looks like they brought in a crowd for the recording, as opposed to bringing in cameras and recording gear for a concert. The 5.1 Surround mix is loud and punching. Quite simply, a fabulous treat for P.O.D. fans. Editors' ratings — Doug 3/5, Lonny 3.5/5Art for the Ears 2002Reviewed by Marco PovervestOkay, I'm a bit late with this review. Already more than two million copies have been sold of this album while it's only six months out or so. Satellite is the follow-up to the platinum release The Fundamental Elements Of Southtown. Their music is mainly rapcore but it's sometimes melted together with some hardcore influences and new metal. Some of the songs have proved to have hit potential. The…The Phantom Tollbooth 2002Reviewed by Vik BansalWhen "the boys from the South(town)", P.O.D., released their second major label album on September 11, 2001 (yes, really), few could have predicted that over the next year it would make them the best-selling artists on Atlantic Records. I mean, exactly when did the world have its good taste transplant? A year on, and the people at Atlantic have seen fit to prevent anyone from having an excuse for…

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    More from P.O.D.

    1999The Warriors EP1997Live At Tomfest1993Payable On Death (1993)1996Brown1999The Fundamental Elements of Southtown2003Payable on Death

    Also in The Phantom Tollbooth 2001

    2002KekalThe Painful Experience2001Various ArtistsThere Are Angels Among Us2001Rod StewartHuman2001Rain on the LandSomething More2000Green Olive TreeThings I Tried to Be2001WaterdeepYou Are So Good to Me