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    The Phantom Tollbooth 2000/Radiohead
    Radiohead — Kid A cover

    Radiohead

    Kid A

    (2000)

    Reviewed by Steve Stockman

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    Label Capitol RecordsThe Phantom Tollbooth2000
    alternative rockart rockelectronicexperimental

    Radiohead have without doubt released the most talked about album in many a long year. Everyone has an opinion and it is mostly that everybody is confused. On first listen, most people say "crap" apart from those who have decided that they are going to say the emperor's clothes are lovely, to be trendy and cool. It is on the second and third listen that the confusion kicks in. A few listens in and it doesn't seem to be as harsh as on first exposure apart from the very harsh, sharp and mostly unpleasant Idioteque.

    But is the confusion, reason kicking in and saying, "These guys are maybe the best band of the 90's and surely they wouldn't bring out this drivel. So it must be good." That allows us to mine deeper than we would had anyone brought out such an electronic sea of sound. Probably.

    There are a couple or three songs that would maybe have sat nicely in the middle of the orthodox follow up to OK Computer. "Everything In Its Right Place" is actually the best we got here and "How To Disappear Completely" with its whispers of that old belief in guitars would have been better had they had a better team around them. "The National Anthem" with its bass intro promises much but fails to deliver anything but... the intro.

    Maybe it is a good album to have on as you check your email. Interesting background music to a cyberspace age but in fairness it is no classic. The intrigue has made it my most listened too CD in a sea of new album releases but I reckon that by the time U2 appears Kid A will be on my shelf never to be brought out again. At least when U2 did their self indulgent soundtrack album they told us that it was going to be confusing and less satisfying than the real thing by naming themselves The Passengers.

    So I'm on the dissatisfied side of confused. I reckon there are no clothes on this emperor and a real Radiohead album is needed, as is rumored, in the spring.

    2.5 tocks

    Other coverage for this album

    ReAL Magazine 2000Reviewed by David O.Modern music is suffering these days. Living in this hip, technological age is hindering the quality of music currently being made. Instead of writing letters, we write emails, and we don't try as hard as we should to articulate what we're trying to communicate. Modern rock has been greatly affected by the fast paced, convenient world in which it exists. Listen to the radio for ten minutes and…Bandoppler 2000Reviewed by Sarah Jones"[Kid A] is dedicated to the first human clone. I bet it has already happened." -Thom Yorke October 3rd marked the North American release of what is inarguably one of the most anticipated albums of the last three years, Radiohead's fourth album, Kid A. Kid A makes an almost antithetical departure from the clever guitar-driven rock that characterized the Radiohead of the early to mid 90's as seen…The Phantom Tollbooth 2000Reviewed by Michial FarmerKid A, the much anticipated new Radiohead record, is either going to be remembered as the album that changed rock music forever, or as a pretentious, overhyped goat of a record on which the band destroyed themselves. Either way, I think, the band will accomplish its goal. Radiohead has never been known for just accepting pop culture norms (look at the way "1984" collided with "Zooropa" on 1997's…The Phantom Tollbooth 2000Reviewed by Jeffrey OverstreetRadiohead's Sonic Storm of Sound and Fury In the year 2000, one might expect to hear music that fuses all the strengths of the last decade into timeless, landmark music. You'll find such solid, traditional, yet bold songwriting on the new U2 album, or in the timeless echoes of Emmylou Harris's Red Dirt Girl, in the wise sentiments of Paul Simon as he gets older, or the surprising optimism and…Opus 2000Reviewed by Pearson GreerRadiohead certainly doesn't need people like me to suddenly start deciding that it's OK to like them. No, there's nary a shortage of people who will always use their lyrics as signature files on their email, and no shortage of people who will run to The Bends or OK Computer when they get dumped, none whatsoever. Read those people's reviews if you want either a longtime fan's impassioned joy at…

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