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    The Phantom Tollbooth 2004/Sam Phillips
    Sam Phillips — A Boot and a Shoe cover

    Sam Phillips

    A Boot and a Shoe

    (2004)

    Reviewed by Steve Stockman

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    Label Nonesuch RecordsThe Phantom Tollbooth2004
    adult alternativeart rockfolk rocksinger-songwriter

    Sam Phillips has been releasing quietly beautiful works of poetry and slightly left field melodic quirk for near twenty years since she changed her name from Leslie to Sam, exited the straightjacket of contemporary Christian music and married then songwriter and now super-star producer T-Bone Burnett. Her albums have always been about taking on the powers of the modern age, the shallow surface of fashion and technology, and delving deeper to find what is more meaningful and lasting and what is of more help in being saved from all that is diluting our living and stopping our dreaming. I guess her frustration with the Christian industry was that that same shallow surface spirit was alive and well there too only masquerading as sound and biblical soundbites. They were no deeper, however, and her work since her first album as Sam, 1988's Indescribable Wow, has been about a much deeper salvation.

    A Boot and a Shoe is obsessed with the other dimension of life "I want to walk deep" she states in the opening "How To Quit" and follows it in "All Night" with "Don't look at what you can see." The deceptively gentle and lovely "Reflecting Light" is a rallying call, a war cry to take on the way things are even if it means being perceived as a crazy outcast; "Give up the ground under your feet/Hold on to nothing for good/Turn and run at the mean dogs chasing you/Stand alone and misunderstood." These songs are constantly throwing up dilemmas about time and choice and freedom and doubt. "We're not experts/We're believers..." she sings on "Love Changes Everything" and on "Hole In My Pocket" she goes on "I hear my heart breaking into faith/Pieces of soul building up a mountain/Moving seeds of doubt." The final song is her end time apocalypse "when time opens the earth we'll see love/Has been moving all around us making way...help is coming...one day late."

    If there is a better player with words than Phillips I would love to be introduced. Her quirk is maybe in need of acquiring but this album in its much gentler, stripped back, and acoustic disposition is as good a place to get the taste. If acquired it will transform your soul's diet -- forever!

    Other coverage for this album

    HM Magazine #109Reviewed by Jamie Lee RakeSam Phillips grows the chamber pop of Fan Dance into a more conceptually fulsome realization of that sound on a boot and a shoe. Husband/producer T Bone Burnett retains the string quartet, minimal rock instrumentation and hushed vocal delivery (almost mumbly sometimes) from last time. He adds drums that sound to be coming from a parade in which Tom Waits would march, among few other elements.…

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    More from Sam Phillips

    2001Fan Dance1996Omnipop (It's Only A Flesh Wound Lambchop)1998Zero Zero Zero

    Also in The Phantom Tollbooth 2004

    2004Neal MorseTestimony Live (Video)2003SpokenA Moment Of Imperfect Clarity2004William Galison / Madeleine PeyrouxGot You on My Mind2004Charlie PeacockFull Circle: A Celebration of Songs and Friends2004Hidari Mae / Speed Not SteelHidari Mae / Speed Not Steel2004Ben Harper / The Blind Boys of AlabamaThere Will Be a Light