Lately, there has been a steady stream of talented female singer/songwriters receiving a lot of well-deserved attention--and the fine debut from Sarah Masen is no exception. Her literate songs and dynamic vocal range and style (reminiscent of a rock 'n' roll Sarah McLachlan), should enable Masen to make an immediate and lasting impression. Backed by a standard rock combo, occasionally accented with organ fills, Masen presents ten songs of faith and introspection to great effect. Producer Charlie Peacock has given Masen a musical accompaniment that rarely strays from its cross between recognizable folk rock elements and modern pop. The real attraction here is Masen's angelic, yet earthy, voice. The only downside to this admirable collection is the detached nature of Masen's messages. For an album that bears her name as its title, this collection seems more academic than personal. This is most clear on the cover of Victoria Williams' song "Love": Masen does a near perfect imitation of Williams' quirky vocal style, backed by an equally quirky musical arrangement; the listener realizes what a true individualist Williams is. One hopes the same can be said of Masen in the future.
Other coverage for this album
The Lighthouse July 1996Reviewed by Tim SharpeChristian music is changing. The industry is growing and diversifying. The contemporary/pop music that's been popular since Amy Grant's debut is stepping back from the forefront as newer styles step forward. Yes, Christian music is definitely changing. No longer are the established artists necessarily the leaders. These days, sometimes the new artists set a precedent, like Jars of Clay. And…Similar sounding releases
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