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    The Phantom Tollbooth 1999/Seventy Sevens
    Seventy Sevens — Seventy Sevens EP cover

    Seventy Sevens

    Seventy Sevens EP

    (1999)

    Reviewed by Israel Kloss

    DiscogsBandcamp
    Label Fools of the WorldThe Phantom Tollbooth1999
    poprock

    This latest offering from the 77s is another hit. Mike Roe, Mark Harmon and Bruce Spencer have created what sounds like a mix of Roe's "Row the Boat Ashore" and the 77s "Drowning with Land in Sight." These are three guys who just can't put out junk if you held a gun to each of their heads.

    With this, their 9th album (not including their compilations), it's certainly apparent why they are one of the only Christian bands to ever have an early 80s video on MTV. Roe's voice is stunning as always and crystal clear. He has the passion of U2's Bono and the sarcastic tone of Sting. Roe's subtle intelligence shines through every song. His quiet, lilting voice hypnotizes, then turns on a dime into fits of rage, jolting the listener into an attentive salute. With all this going for him, it makes sense that the only band to eclipse the 77s' critically praised beginnings with Island Records in 1989 was Island's featured album--U2's Joshua Tree (hailed by many as the best rock album of all time).

    Track number two, "Sevens," is a slightly slower number, with some chord progressions that sound like they were lifted straight from Roe's "Row the Boat Ashore." In this song, Roe tweaks his voice, sounding a bit like the Smashing Pumpkins' Billy Corgan. Roe, Harmon and Spencer mix beautifully in the vocals, as Roe snarls and slithers through his snide lyrics. Deeply emotional words are ingrained in every 77s album and Roe delivers them with power.

    In "Unbalanced," Harmon and Roe let the guitars soar and intermingle in a fabulous mix with Roe's voice. The mixing of Roe's voice and the guitars is fantastic on every 77s album, and this album is no exception. This song sounds closer to the 77s "Drowning With Land in Sight" style.

    If the 77s would just sell out to a major label they would be huge. But their relative obscurity in the mainstream music scene despite their mainstream sound has served to increase the loyalty of their rabid fans both nationally and internationally.

    This is a must-have EP for anyone who even remotely likes U2, Smashing Pumpkins, Bruce Springsteen, Sting or anything from the thoughtful end of rock and roll.

    5 tocks

    Other coverage for this album

    HM Magazine #81Reviewed by Doug Van PeltWhoo-ha! It's always nice to get a visit from an old friend, which is what this EP feels like. Only five songs are served up here, but the quality is pristine, comparible to the Sticks and Stones collection. These would serve well as a musical resume / demo of the band's talent. It's that beautiful melodic pop music that has the right amount of edgy ambience and tone to set it apart from tired…The Phantom Tollbooth 1999Reviewed by Steven S. BaldwinLike the saying goes, sometimes good things really do come to those who wait. The Seventy Sevens' last album of original material was 1995's Tom Tom Blues (1996 saw the release of Echos O' Faith, which was basically a laid-back live album). 1999, therefore, heralds the year that The Seventy Sevens finally released some new songs to their eager audience, even if a mere EP's worth of material makes…

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