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    The Phantom Tollbooth 1996/Unleashed Power
    Unleashed Power — Mindfailure cover

    Unleashed Power

    Mindfailure

    (1997)

    Reviewed by Josh Spencer

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    Label Amarok RecordsThe Phantom Tollbooth1996
    death metalspeed metalthrash metal

    Metal fans should eat up this blazing metal missile, with a kind of progressive speed/death/thrash sound somewhere between early Believer and Sacrament's Haunts of Violence. The riffing is fast and surgical-tight, as is the incessant, often-inspired drumming (by a former drummer for bands Mekong Delta and Rage), while most of the excellent leads are of the sick and melancholy, back-in-the-mix type typical of the genre (like Believer and early Living Sacrifice). The vocalist adopts a snarling but semi-understandable style similar to many outfits of this kind (again, halfway between Believer and Sacrament). U.P. must also have had a decent budget for an underground band, with above-average production and glossy 16-page liner notes.

    The lyrics may frustrate listeners looking for evangelistic messages, with no mention of Christ or entirely obvious Christian themes. The singer and guitarist do claim faith in Christ (look for an upcoming interview), but they choose to veil the truth in thought-provoking poetry. The album definitely deals with spiritual issues, though, with an undercurrent of faith and respect for notions of right and wrong. It doesn't do them justice to quote the lyrics apart from their context, but here are some to give you a feel, from "Thou Shalt Live":

    With all the things that will discourage
    can one find the power of courage
    To live with contradictions
    yet there will always be hope
    For faith will move the mountains
    inducing the strength to cope

    Are you really alive
    Do you really live
    Can you truly fight it
    Where's the will to give
    refusing, resisting the fiery temptations

    Most of the songs are long and sometimes divided into "parts" ("Cataclysm" clocking in at 11:33), with the exception of the short and mellow-but-dissonant instrumental, "Etude."

    This is flawlessly-played, and should be many speed/thrash/death fans' favorite album since Believer's last. I had some problems with it that will keep it from warming my CD player much, however--the similarity and repetitiveness of most of the songs, the same guitar tone throughout, and the cold and distant nature of it all. I'm more into metal that crosses genres these days, so this doesn't quite blow my mind like it will for the metal purists out there.

    4 tocks

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