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    Decapolis 2001/Zao
    Zao — (Self-Titled) cover

    Zao

    (Self-Titled)

    (2001)

    Reviewed by James

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    Label Tooth & Nail RecordsDecapolis2001
    alternative metalblack metalhardcoremetalcore

    Okay, first of all these guys scared me while I was driving my car in broad daylight. Now, with that said, I'm going to come clean on something. I have never been a Zao fan. But after reviewing this album, I have a much better opinion of them. It's difficult to miss the artistry on this one. The fact that this collection of tunes doesn't constantly show off the size of the drummer's calves (i.e. kick the machine gun-like double bass) says a lot.

    Zao displays maturity by mixing slow, thoughtful instrumentals reminiscent of well, the Abyss if you really want to know, with ripping metal numbers that make Korn look like a bunch of pre-pubescent acoustic plunkers.

    But try though I might, I just can't seem to get around the fact that there's virtually an absence of vocal melody on this album. This has always been a turn-off for me. To sum it all up, Zao rips really hard and has a good disk here. Zao fans will be pleased, Coldplay fans will not...

    B+

    Other coverage for this album

    Decapolis 2001Reviewed by Nate BaileyIn a genre that is full of copy cat bands that just take up space, Zao has continually moved in the direction of their choice and turned their back to the rest of the scene. This new release we see Zao adding so many new aspects to their music that you can tell without a doubt they are progressing musically. Using their trademark metal-core foundation, Zao has always been able to explode with…Art for the Ears 2001Reviewed by Marco PovervestThe last album in their contract with Solid State Records is self-titled. Does this mean they perceive this as a new start? Or were they inspired by other bands that didn't give titles to their fourth releases (like Led Zeppelin and King's X)? I don't know. What I do know is that the first track, 5 Years Winter, sounds more metal than this band has ever sounded. But very heavy with the harsh…The Phantom Tollbooth 2001Reviewed by Michial FarmerZao is hailed by critics and fans alike as one of the greatest things ever to hit the Christian music ghetto, but I'm having difficulty finding the appeal. To me, they sound remarkably similar to every other tortured-animal-screaming hardcore band, and the supposedly brilliant lyrics penned by frontman Dan Weyandt are lost on me because my promo copy does not include a lyric sheet. That's not to…The Phantom Tollbooth 2001Reviewed by Josh SpencerZao's fifth full-length album finds them further down the path of exploration. Last time they visited the bowels of hell; now they've entered a strange new land beyond hardcore hades. It's not as abrasive and corrosive as Liberate te ex Inferis, with more atmospheric textures via acoustic guitars, whispering vocals, digitized accents on percussion, and ambient electronica sections punctuating…

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