The Lost Archives Surfacing the reviews of our forgotten youth
    Back to The Lost Archives
    HM Magazine #89/Jetenderpaul
    Jetenderpaul — The Modal Lines cover

    Jetenderpaul

    The Modal Lines

    (2000)

    Reviewed by Kindred Winecoff

    DiscogsBandcampApple MusicTIDALAmazon MusicSpotifyYouTube Music
    Label Burnt Toast Vinyl / Vainglorious Home RecordingsHM Magazine #89May 2001
    indie popindie rockpsychedelic pop

    Be warned: this is not the logical follow-up to The Woolen Spires. Anyone expecting the by-now-patented Jetenderpaul formula of less than one-minute songs, bizarre song titles, ambitious liner notes, cheap 4-track recordings, and muddily layered sounds should check their baggage at the door. This record is clean, premeditated, developed, distinct, and polished (to a certain degree). And the result is easily one of the better indie-pop records so far this year. Because of the differences from more traditional Jetenderpaul records, The Modal Lines was first conceived as a sort of side project for the band, with the name The Modal Lines being pre-eminent, and Jetenderpaul in the background, if present at all. The album was to contain more traditional, two minute pop songs, recorded in a more clean format. The 17-second bursts of sound on such tracks as "It's All Chicanery" are replaced on Modal by fully developed pop songs like "Before You Become Princess Belltower." The Elephant 6 style, 4-track-in-a-bedroom recording ethic present in all of Jetenderpaul's previous releases seems obsolete when faced with the (by comparison) slick production on Modal. But enough of what this record isn't. Modal offers the best pop songs of Jetenderpaul's career. The songs rely heavily on melody, as always, and Randall Stephens and Jared Miller deliver vocal lines with the sort of intelligence that demonstrates clearly that the boys have done their pop music homework. It's a clever mix of the classics - such as the Beach Boys - with the current - Apples (in stereo). A rewarding listen all the way around.

    Other coverage for this album

    Opus 2001Reviewed by Jason MoreheadFor some reason, I've always thought of Jetenderpaul as indiedom's resident clown princes. On one level, their music is cheeky and precocious, full of a pop whimsy that seems part Sid and Marty Krofft, part Wendy Carlos, and part Sgt. Pepper. It's almost as if these guys have nothing better to do than record pop music that's as skewed as possible, and yet still catchy and listenable. As such,…Bandoppler 2000Reviewed by Kindred WinecoffBe warned: this is not the logical follow-up to The Woolen Spires. Anyone expecting the by-now-patented Jetenderpaul formula of less than one-minute songs, bizarre song titles, ambitious liner notes, cheap 4-track recordings, and muddily layered sounds should check their baggage at the door. This record is clean, premeditated, developed, distinct, and polished (to a certain degree). And the…

    Similar sounding releases

    2004Simple Kid12001PushcarApartment D2004The Ocean BlueWaterworks2004Original Mark EdwardsRewind Tomorrow2005Black Rebel Motorcycle ClubHowl2005World Leader PretendPunches

    More from Jetenderpaul

    1999The Woolen Spires1997Trying Signals: The Histrionics of Suggestion

    Also in HM Magazine #89

    1999GregorianMasters of Chant2000Various ArtistsBlack & Blue Compilation1992T-Bone BurnettThe Criminal Under My Own Hat2000PashawkeeTrance World2000Darrell Mansfield Blues BandLive on Tour2000Adam AgainLive at Cornerstone 2000