P.O.D. fans watch out. The long awaited, much hyped, and crazily anticipated Atlantic Records release is finally within our grasp. Yes it was worth the wait.
P.O.D. takes their style to the next level with this release, and they have only gotten better at what they do. This album is the next step up from what B.R.O.W.N. started. They continue to combine their hip-hop styles with hard hitting music. Take note this is NOTHING like Snuff the Punk, it's funk, groove, power all rolled into one.
The track "Rock The Party" is one of the highlights of this album. Super thick guitars combined with Sonny's fierce rapping gets you moving on this one. Another stand out track is "Freestyle" toward the end of the CD.
The band covers "Bullet The Blue Sky" by U2. A great song, by a great band, covered by a great band...yet something is not right. The basic song structure doesn't fit with P.O.D.'s music styles. The verses to this song sound really off, but the chorus comes in sounding great. An OK track at best.
One thing is for sure the band has NOT sold out their lyrics with the move from Rescue Records to Atlantic. These are some of the strongest the band has written to date.
Production is absolute top notch, but we wouldn't expect anything less from Atlantic...now if we can just get them to pick up a few other bands!
All in all this is a P.O.D. fan's album of all albums. If you weren't into B.R.O.W.N. however stay away this album funk's it up big time.
8/10
Other coverage for this album
HM Magazine #79Reviewed by Doug Van PeltThe wait for a solid studio album from these boys is finally over. While many have recognized them as a killer live band, they had yet to lay down some sounds that did it on a sonic level. While The Warriors EP was a wonderful step up, this full-length (16 tracks!) does the band that sweet justice us fans have been craving. I'm happy to report that my assumption about the new versions of "Full…ReAL Magazine 1999Reviewed by Timothy Paul YenterPayable on Death has done more than prove itself in the world of Christian music--it has proven it can hold its own in the secular world as well. Unlike most Christian bands (especially hardcore, punk and ska), P.O.D. has kept up with mainstream bands in musical ability. In fact, P.O.D. has actually set the standard for the rapcore genre, much like Rage Against the Machine did in the mid to late…Bandoppler 1999Reviewed by John SantThis is the best album of the year to date, hard music wise, hands down. The perfect balance of heaviness and flat out slam-you-in-your-face brutality, combined with the best musicianship and sickest hooks to come out of my speakers in a long time. I'll try to write words that'll give you a good picture of this CD, but it's hard... Payable on Death has not sold out on this album, they've grown up…Exit Zine 1999Reviewed by John SantWithout question, this album is one of the best that I have heard in a long while. The Fundamental Elements contains some of the sickest hooks and best musicianship in the hard music arena this year. Their style has changed a bit, but it's not a bad thing; quite good actually. Imagine what would result from POD being thrown into a blender with a far more mature and talented POD, as well as the…The Phantom Tollbooth 1999Reviewed by Joe RockstrohThe debut mainstream album by P.O.D. is here. In a summer dominated by Limp Bizkit and Kid Rock's rock/hip-hop styling, the window of opportunity for P.O.D. is wide open. To whom much is given, much is expected. P.O.D. has always had the right tools: tight musicianship, diverse influences, and good vocals. But they insist on diddling with their songs' structures, adding and deleting distracting…The Phantom Tollbooth 1999Reviewed by Tony LaFianzaThis is POD's finest record. Traa, bass, and Wuv, drums, are fabulous and funky. Marcos' guitars are full and striking. Sonny's strong suit is in concert, he's a great showman, but Sonny's vocals have never been better on record than here on The Fundamental Elements of Southtown. The excitement erupts on almost every track. The song writing, and the hard hitting music, and the affected/effective…Dead Zine 1999Reviewed by GrindboyCertainly this album has had about as much of a buzz around it as anything else released in the Christian scene this summer, and that usually makes for one of two results; 1) the biggest success of the summer -- or 2) the biggest letdown of the summer. I have a strange feeling everybody else is going to like this a lot, but for me, it's a bit of a letdown. I have two major problems with this…Similar sounding releases
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1999GrypIndecision
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2002Satellite
2003Payable on Death
1997Live At Tomfest
1993Payable On Death (1993)
1996Brown
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