Stavesacre and Denison Marrs may appear to be a contrast in musical styles and instrumental exploration. Stavesacre thrives on rocking hard with the vocals of Mark Solomon, which have become a trademark over the years. Denison Marrs combines glowing emo rhythms with an alternative rock edge. Their differences on this EP are apparent, but the diversity makes this project all the more appealing, allowing listeners of various palates the chance to digest two high quality acts.
Classic Stavesacre permeates "Sad Parade" and "Island," while "Night Town" shows the group upping the ante when it comes to the decibel level. Denison Marrs shines on "The New Droan (Light Years Away)" bearing resemblance to Jets to Brazil and The Gloria Record. "A Consequence Plan" has an ethereal undertone, despite its rock laden beats, while "Zero Gravity" feels like a continuation from their "Holding Hands" sessions.
There's not much fault a music lover with a broad spectrum of tastes can find with this split E.P. After a few spins of the disc, fans will salivate for the upcoming full length projects from each band.
4.5 tocks
Other coverage for this album
The Phantom Tollbooth 2001Reviewed by Michial FarmerStavesacre turns in three uncharacteristically weak and uninspired tracks for this limited-edition split EP for Velvet Blue Music. They're paint-by-numbers affairs somewhere in between the hardcore of Absolutes and the more melodic, emo-influenced Speakeasy. Unfortunately, they lack the magic of either of these two albums and feel bland and emotionless. Only "Island" breaks the surface, and even…The Phantom Tollbooth 2001Reviewed by Trae CadenheadFor this split EP, Stavesacre broke away from the popular Tooth & Nail label to make something for the fans. In the process, they helped to further the popularity of Florida band Denison Marrs. Stavesacre starts off the split with three brand new songs. More in the direction that they took with Speakeasy, the new songs sound relatively dry and uninspired compared with past works from the band.…The Phantom Tollbooth 2001Reviewed by Eric DaamsThe split album concept is an interesting premise, on the one hand being a perfect way for new bands to break on the scene. The audience of the two (or more) bands are pooled, whilst the costs of production are cut, making a high quality recording an actual possibility. On the other hand, the whole thing could go drastically wrong. The bands need to have similar qualities. Not many Avalon fans…Similar sounding releases
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