It's easy to tell what the latest craze in Christian music is. Just look at the independent bands, and if they all seem to be playing the same style of music, you've got yourself a trend. Lately, it seems that every unsigned Christian band in the nation is playing some derivative of hardcore. Labels like Screaming Giant and Bettie Rocket are signing these bands by the boatload, and you're no longer considered cool in the underground scene unless you sing the praises of the rage-filled genre of music. It seems like I can't go to a concert anymore without having to endure the off-tempo screaming of some lame local hardcore act.
But don't let the bands wading in the shallow end of the talent pool spoil you on the genre as a whole. Some Christian hardcore bands are simply incredible, the most notable of which being Payable On Death and Project 86. Another band worth their proverbial salt is Every Day Life, or EDL as they are now called. EDL didn't merely bring rapcore to Christendom - they were playing the music long before anyone had ever heard of Kid Rock or Limp Bizkit. And now, after two critically acclaimed albums spilling over with angst and rage, the band seems to be taking a more commercial approach to their music, adding more rap and less core.
Songs like "Endurance" and "Relocate" could do excellently on secular alternative radio, with their rapid-fire vocals, crunchy guitars and fat, greasy bass lines. "Time to Change" even has a melody and a horn section, courtesy of new bass player Jeff Elbel (Farewell to Juliet, LSU). Lest fans fear they're losing their edge, however, several songs, including "Let it Ride" are pure hardcore, complete with torturous animal screams.
Some bands, such as POD and Ludi-Kriss, call their music "worship," and bend the lyrics specifically towards that angle. EDL is obviously not one of those bands. The lyrics are incredibly angry at some points, and focus mainly on broken relationships. Songs such as "Wrecking Ball" condemn the band's critics, while "Sunshine (I Promise You)" begs for a friendship to be restored. On that same note, a paragraph in the liner notes says:
EDL say no thanks to the takers, fakers, reducers, wrecking balls, crumb snatchers, diminishers and those who would used us and stole from us. You know who you are, and we didn't forget you.
EDL, however, is at their best when they're political. Chief lyricist Tedd Cookerly has a way with words, and can certainly spit them out at a rapid-fire pace, as well. "Represent" is the most obviously political song, expressing Cookerly's feelings about the flying of the Confederate flag:
We ask why does this social structure sag
They say pledge American, but worship the rebel flag
Let it burn down
Let it burn down to the ground
It doesn't represent me!
Moment of Clarity's major flaw is the poor arrangements of some of the songs. "Sunshine (I Promise You)" and "The Choice Is Yours" in particular are ruined by obnoxious backing vocals. The lame rap posturing that permeates some of the songs is also rather annoying.
Despite these minor flaws, though, EDL has crafted a handbook of sorts for the disenfranchised. Moment of Clarity is an excellent album to listen to when one is angry.
4 tocks
Other coverage for this album
HM Magazine #79Reviewed by Doug Van PeltWow! Imagine if the monster rapcore band E.D.L. joined forces with Faith No More... This is the kind of commercialism that E.D.L. has added to their potent sound. Tedd Cookerly's scary monster vocals are still backed up by the ferocious and creative guitar playing of Carl Weaver (see "Adieu"), but the band collectively is churning up a new mix of dance, hip-hop, and pop. Overall, this album is…7ball #24Reviewed by David JenisonIn 1996, EDL emerged as a contender in Christian rapcore with their sophomore American Standard. The album secured EDL a solid fanbase with its pop-influenced touch, but both the market and EDL were ready for a heavier, more underground sound when it came time for a third project. Produced by Eric Stenman of Tinfed, Moment of Clarity takes EDL deeper into the rapcore scene with energized hip-hop…Bandoppler 1999Reviewed by Earl CampbellIt took almost a decade, but here come the props. Every Day Life may have been the victim of some major industry neglect in the past, but with this release, justice should prevail. Moment of Clarity is being distributed in the general market by Paradigm Associated Labels, which includes Big Deal Records, and in the Christian market by KMG. This is a major landmark for the Christian artists who…The Phantom Tollbooth 1999Reviewed by Joe RockstrohWhat a shame that when Christian music finally graduates some quality bands to the mainstream, they release sub par albums. While there are some high quality songs such as the radio ripe "Represent" and the screaming, classic EDL hardcore of "Let It Ride", the atrocious rapping that permeates many of the songs ruins a good portion of this album. The contrast between the polished radio ready…Dead Zine 1999Reviewed by dEaDsMilEEvery Day Life has been out there for a while amazing fans, be it through their cds, through their amazing Creation Fest shows, or just by being, in the words of Tedd Cookerly (Vocals, lyrics), "the guy next door, only playing a style of music you would never guess the guy next door would play". They started us off with the debut album Disgruntled. Back then they were more hip hop and were not as…Dead Zine 1999Reviewed by D_ListerCrap crap crap crap! EDL goes and drops the full name (Every Day Life) and with most of their name gone, so goes most of their good material it seems. I liked their first album Disgruntled so-so but man the follow up The American Standard was an album I totally got into. So when I hear they are on the brink of releasing another album I go and get myself all excited. Well, I shouldn't have.…Similar sounding releases
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